I wasn’t so much worried about the delay but the stress of constant starting/stopping on the motor.
Doan worry aboutit.
There’s no problem at all in this regard- we’d know about it by now; Technics motors have been running fine for decades.
The real issue for me is because of my long term use of subwoofers with ESLs isolation is more important to me than absolute speed accuracy
I’ve used Technics with Sound Labs and they are really happy together! But I also use a good equipment stand, equipped with proper anti-vibration platforms, not just for the turntable but the preamp too. My speakers go to 20Hz perfectly flat (they are about 3db down at 15 Hz) and no worries with low frequency noise interacting with the Technics! For the record, years ago we used to have a page on our website called the ’Atma-Sphere Bass of the Year’ which was a list of recordings we used to show off bass response and impact. The Technics sails effortlessly through that!
I think the SP10R is down around 0.02%. That difference is totally inaudible where as lack of a suspension is totally audible.
You don’t hear speed variation of 0.05% as a pitch change as its too subtle. But you do hear it as a slight ’shimmer’ in the soundstage, since speed variation causes a radially tracking arm to oscillate side to side in the groove (due to the variation in skating forces). It really is something to hear how a Technics sorts that particular phenomena out! Reel to reel tape does not have this issue since speed variation does not affect the output of either channel. So it has a ’locked in’ soundstage that is a bit of a trick for turntables- but the Technics pulls it off with ease.
Try it you’ll like it!