Mozartfan,
we get it, you found the wholy grail of speakers while browsing youtube.
we get it, you found the wholy grail of speakers while browsing youtube.
FULL RANGE vs. SUBWOOFER+NO FULL RANGE
Hi all, I'd like to know what is better for symphonic music with a budget of $2500 for the speakers: full range speakers or speakers + separate subwoofer, or speakers with build in powered subwoofers. can I get high-end sound with any of this configurations within my speaker budget? which combinations would you recommend me in this budget for my musical tastes? your help on this matter will be greatly appreciated! Thanks.
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- 18 posts total
mozartfan900 posts06-23-2021 6:19am"I could never live witha sub bass, grate my nerves, I need ~~Musical bass~~, huge difference,...+ I wanted "musical" bass which is why I chose the Rel sub. |
for symphonic music
~~~~~~~~~~~~ Please read the OP carefully CM does not require a HT effect Sub woofer. This is what he is after, pure music, nothing less. The only speaker I know that makes pure fidelity for CM is full range/high sens point source drivers. I've been experimenting with various FR single point and have made this discovery. THe OPer could not understand what the potential and limitations of these speakers were in real time. He was asking the board to share their expiences of Point Source High Sens speakers. There is no other speaker technology that will meet the demands voicing CM. The music is rich, detailed, complex and demands a speaker that will meet these challenges head on with no fatigue. Other drivers fall apart during the critical passages, and we are left with a mushy mess. Not sure why there is no love for the new technology. I find this a bit odd. |
- 18 posts total