ATC and Loki


Let me start by acknowledging that I don’t know what I’m talking about, which is why I am asking this question.
 I have ATC scm 40s and a Loki in the mail to me. I’m looking to adjust EQ because of an overly bright room and some low level listening.
I’ve heard that some speakers need a boost in certain frequency ranges even in a perfect room. I’ve also heard that Atc‘s have an especially flat response and may not fit that category. Any ideas about how to adjust the loki or how all these elements interact would be welcome.
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Correction, looks like you are trying to tame the highs…. I’ve had the smallest version of your speakers, the little babies, but they had the same tweet andI would never describe them as bright,

sometimes an overlay aggressive midrange will make a listener think “bright”.

whats your toe in like? How close are they to the walls?

I’d still try pointing them directly at you and pushing them closer to the wall behind the speakers. This will increase bass and highs and can tame an aggressive midrange giving you more of what you are looking for.
Thanks, all. The unit is supposed to arrive today so I will play around with some of the variables.
To reiterate, I have two concerns. One is low listening levels and the loss of bass to my ears as a result. Across the room from the speakers, a wall of windows have got to be Brightening the sound quite a bit.. We will see…
The downside to low level listening to accurate speakers is a lack of bass.  It only sounds right if you're listening at levels closer to realistic for a real performance.  
"The downside to low level listening to accurate speakers is a lack of bass."

I respectfully disagree. I suppose you've auditioned all the "accurate" speakers available today. Just because good active speakers, made by folks that also serve the recording industry (pro audio) have much greater dynamic range potential than most conventional speakers does not mean that they all are lacking at low listening levels.

It seems to me that the definition of high-end audio is the most accurate reproduction of the source at least it was at the beginning. Of course that reveals any issues upstream. Rather than addressing these issues, the speaker is blamed for being "too accurate".

So many spend lots of money on less than accurate speakers with anomalies to suit their taste. Low cost, distortion generators can do the same for far less money.

If your taste is less accurate, euphonically colored sound, nothing wrong with that. My argument would be, you don't have to spend a lot of money to achieve that, really a fraction of what a highly accurate system that excels in tonal correctness, presence and unrestricted dynamics would cost.

When you have this problem with "accurate speakers", the most likely cause is a poor amplifier speaker match and/or improper speaker/listening position set up.

Yes, I can see how the OP's speakers could sound the way he describes. But being intimately familiar with the current revision of this speaker, it's definitely not the fault of the speaker. If you have the original version, then yes, the tweeter was less than optimal and that is where a device like the Loki (very cost effective and well designed) may help. Personally I would prefer a Manley Massive Passive but that's like 100 times more expensive.
I don't mean they lack accurate bass, just that they sound like they do at low listening levels.  It only makes sense for accurate reproduction at inaccurate levels to sound inaccurate.  It is inaccurate.  You can make it sound more accurate by countering the level distortion with frequency response distortion but true accuracy would include accurate volume.  A lot of speakers have some exaggerated bass, at least at low volumes, and they sound better at low volumes because of it.