@atmasphere ,
’Again, what makes a speaker good for one genre makes it good for another.’
If only all loudspeakers were created equal.
Then we could buy the delicate Cerwin Vega CL -15 for those Ashkenazy piano concertos and the bombproof Harbeth SLH5s for those full blast Motorhead live concerts and simply not notice any difference.
’You can’t point to anything about classical music that makes it particularly harder to reproduce.’
How about the following?
The widest variety of instrumental textures and vocal ranges?
String, woodwind, brass and percussion.
Soprano and alto, baritone and tenor.
Often all of them at once!
The greatest dynamic range?
Classical (along with jazz) has probably fared best throughout the loudness wars.
The most meticulous recording quality?
For years and years classical was the ONLY genre that many engineers and producers paid careful attention to.
Even today it’s the classical fans that tend to complain the most about the reduction of digital radio bitrates.
I suspect it’s also the classical fans that are the happiest with their lot musically.
So much choice and variety and a history that goes back centuries.
’Again, what makes a speaker good for one genre makes it good for another.’
If only all loudspeakers were created equal.
Then we could buy the delicate Cerwin Vega CL -15 for those Ashkenazy piano concertos and the bombproof Harbeth SLH5s for those full blast Motorhead live concerts and simply not notice any difference.
’You can’t point to anything about classical music that makes it particularly harder to reproduce.’
How about the following?
The widest variety of instrumental textures and vocal ranges?
String, woodwind, brass and percussion.
Soprano and alto, baritone and tenor.
Often all of them at once!
The greatest dynamic range?
Classical (along with jazz) has probably fared best throughout the loudness wars.
The most meticulous recording quality?
For years and years classical was the ONLY genre that many engineers and producers paid careful attention to.
Even today it’s the classical fans that tend to complain the most about the reduction of digital radio bitrates.
I suspect it’s also the classical fans that are the happiest with their lot musically.
So much choice and variety and a history that goes back centuries.