cd3181,719 posts10-27-2020 2:22pmClassical music is a far more demanding genre - from my point of view.
My desire that a system can reproduce accurate timbre ( not washed out as is all too common) far outweighs its other qualities, such as imaging, or collosal dynamics etc.
This possibly exaggerated desire for tonal colour leads me to believe I might have some form of chromesthesia (sound-color synesthesia).
https://en.m.wikipedia.org/wiki/Chromesthesia#:~:text=Chromesthesia%20or%20sound-to-color,associatio....
Classical music especially, without good instrument timbres, is difficult for me to enjoy, whereas with rock I'd be looking for great dynamics or for pop it might be a great midrange.
Classical music with good timbral expression on the other hand becomes a joy. Especially piano and strings.
So I think it's a question of finding a speaker that excels at that quality that's most important to you.
All loudspeakers are not created equal, and few, if any, can do everything right.
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Yes a speaker that is all in all perfection, is not a reality.
Unless you want to go 3 way horn witha 15 inch woofer, Price? Weigyht/size? wife friendly? = not a option, Oh yeah it has every fq range you could ever want/ wish for.
But these masssive horns present road blocks.
**CM ~~Timbral expression ~~tonal colors~~~
Yes This is all midrange.
Here is where we ought to focus and forget about bass/highs.
Super highs are more for ambience than actually in the music.
That isa super tweeter perhaps falsifies the actual highs within the music, ie classical composition.
Do we want these shimmers, and sparkles? Yes we do.
But lets forget the sparkles and concentrate exclusively on midrange
Here is where the heart and soul of CM lies.
I can find bass and high add on speakers, thats no big issue.
its the massive amount of midrange fq's where we need to stay focused.
Perahps there are a few single drivers that have capability to voice these wide band midrange with some degree of success.
As box/xover speakers have failed in presenting symphony orchestra as it will be required. That is, nothing hidden, nunaces heard in flutes, soft cellos, hidden harp passages,
This is the midrange we will need to make classical music come to life.