Theoretical options are interesting and means a lot but practical experience is much more relevant and has more value. I used to have DL-110 about 3 years ago and paired it with Parasound JC3 Jr and Rogue Audio Ares. I didn’t really liked the cart, find it pretty average sounding with no dedicated personality. The compiration of two phono stages with DL-110 was definitely in favor of Ares. It was noticeable upgrade in SQ. The Ares has pretty firm place in my system due to its flexibility and exceptional sound signature.
How much difference does a phono preamp really make?
Sorry for the noob question...
I have a Technics SL1200-GR turntable with two cartridges; a Denon DL110 and a Clearaudio Performer. I also have two phono stages; a Consonance PM6 and the internal phono stage in my Belles Aria integrated.
To my ears, there is no discernable difference in sound between the two phono stages.
I'm just wondering, if I went up to say a Clearaudio Smart Phono, or a Rogue, or even a GoldNote PH-10; would I be able to tell? How critical is a quality phono pre in analog sound reproduction?
Thanks,
Joe
I have a Technics SL1200-GR turntable with two cartridges; a Denon DL110 and a Clearaudio Performer. I also have two phono stages; a Consonance PM6 and the internal phono stage in my Belles Aria integrated.
To my ears, there is no discernable difference in sound between the two phono stages.
I'm just wondering, if I went up to say a Clearaudio Smart Phono, or a Rogue, or even a GoldNote PH-10; would I be able to tell? How critical is a quality phono pre in analog sound reproduction?
Thanks,
Joe
- ...
- 81 posts total
- 81 posts total