Marty Stuart on Tom Petty & The Heartbreakers:


"I’ve never made any bones about it. I think Tom Petty & The Heartbreakers were the greatest Rock & Roll Band the United States Of America has ever produced."

Wow. Better than The Hawks/The Band (though composed of only one American and four Canadians, I consider the U.S.A. responsible for their formation)? Better than NRBQ, and The Byrds? And Los Lobos? As I consider Marty and his band The Fabulous Superlatives the current best band in the world, his opinions carry a lot of weight with me.

Okay, maybe I’ve been wrong about TP & TH. ;-)
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@jaym759: "Lightweights"---that adjective better characterizes The Heartbreakers than did my use of "unsubstantial."

Another band whose talents don’t rise to the level of the songwriting---imo---are The Attractions. The only Costello album I like enough to own is King Of America, produced by T Bone Burnett, who has great taste in musicians.

The musicians heard on King Of America include the great Earl Palmer, Ray Brown, James Burton, Jerry Scheff, Ron Tutt, Jo-El Sonnier, Mitchell Froom, T-Bone Wolk, Jim Keltner, and David Hildago. Damn!


With a single post you've thrown into doubt every post you've made about music.  I actually thought you knew something.  But to slight the Attractions clearly shows your TIN drum EAR.  They were (and as the Imposters) still are a great band.  Additionally, during his Hall Of Fame acceptance speech Mr. Costello called Bruce Thomas the greatest rock and roll drummer.  So there!  Take it back or I will be forced to write an angry op-ed letter to the New York Times.

BTW, the Attraction also played on "King Of America".



Ha! Yeah, but The Attractions are on only a coupla songs, which I skip. ;-) Just kidding. I loved Costello’s debut (I got the UK Stiff Records import before it was released stateside), not knowing at the time the band was comprised of members of Clover, from my neck-o-the-woods (well, Marin County).

When the follow-up came out, I didn’t care for it at all. The playing on the debut was much more soulful, with a fairly deep pocket; on the follow-up the playing sounds rushed (English drummers are well-known to play at the front edge of the pocket. Ringo was an exception, as was the studio drummer who played on the early Kinks albums.), and "clacky". Plus, I didn’t like the production, the sound of the recordings. Too glassy-sounding, not organic enough for me. Too bad he didn’t have Dave Edmunds produce him instead of Nick Lowe (don’t care for his production style. Edmunds is far more to my liking).

If Costello likes the drumming of Pete Thomas, well, we just have different tastes, and will have to agree to disagree. Pete tensions his drum heads far too tight for me---the drums don’t "breathe". Very shallow tone, no depth. But hey, he’s done alright for himself, hasn’t he? ;-) I felt the exact same way when I heard The Red Hot Cilli Peppers’ drummer on one of the Dixie Chicks albums---he’s playing a piccolo snare drum, the sound of which I despise. Ruined the album for me! And then there is The Attractions bassist (don’t recall his name): he plays a Rickenbacker! How "girly" is that? ;-) Real men play Fenders.

But what really makes The Attractions unlistenable is the cheesy sound of Steve Nieve’s organ. He needs to get himself a Hammond and Leslie! He sounds far too "white" for me, in both tone and style.

As for Costello himself: he’s a mighty fine songwriter, but his vibrato is WAY outta control. Far too much of it; Elvis, baby, just sing the note---stop trying so hard to prove you’re a "good" singer.

As much as I enjoy Petty’s music, in terms of quality, the 3 American Bands (sorry, as much as I admire The Band, they’re not American) I’d submit are, in no particular order, Los Lobos, Little Feat and, on the great nights, the Grateful Dead.

The reason I would put these ahead of Petty is that when I listen to his music I really like the best tunes but am really bored with the others. Don’t have that problem with Lobos or Feat and can get there without too much pruning with the Dead.