New speakers dilemma for vinyls... Heeelp! :)))


My dear hifi lovers,

In a while I'm going to pull the trigger for a pair of new speakers, in 6000$ range.
My new system will be focused on a Pass Labs XA25 and a Rega Planar 6, I'll have to test both Ania and Exact cartridges as I don't know yet what to choose.
I was looking on the web for recommendations related to vinyls for speakers in such a cost range but found literally nothing. My system will be fully analog, 80% lps, 20% cds. So far I auditioned the Klipsch Forte IV and Sonus Nova 3, very different but both amazing for different reasons. I slightly preferred the Nova as for me the bass is the most important thing. The Forte had a decent one but don't go deep enough, hope to hear the Cornwall IV soon and find that amount of low frequencies missing with the Forte. Unfortunately the dealer couldn't provide a turntable for the listening. This month I'm still auditioning:

Revel Performa3 F208
Focal Kanta 2
Cornwall IV
Spendor A7
Dynaudio Evoke 50

In a first moment I was also strongly considering the Tekton DI's and Volti Razz, they're both still on the list but unfortunately I can't test them because I'm in EU and in addition I'll have to pay tax duties (but this won't be a problem if these speakers are really the best choice).
Anyway even if for next auditionings there will probably be a turntable, It's always hard to get what's better sounding. I have 1000 records and can't test all of them, plus I can't know which one has a solid registration or not.
Does any of you have experience with speakers in a such cost range, using a turntable? And btw did any of you try also the Ania or the Exact?
Please feel also free to recommend any other speakers i didn't mention, I'm extremely flexible and open to any suggestion (excluding Dac).

Thanks!!!
adversam
I also have the Pass XA25 driven by a 6SN7 tube preamp (Aric Audio). As I believe one responder stated, the XA25 leans more to the neutral side than other Nelson Pass products, highly transparent. I would look towards a speaker that leaned toward the warm side. 

You have a large space to be sonically pressurized. When considering speakers please consider speaker sensitivity and impedance across the frequency range. Both equate to the resultant efficiency of the speaker.  

Also keep in mind that with a vinyl based system the cartridge, as the other transducer, also makes a great impression on the character (overall presentation) of the system. 
@adversam,  I have heard the Voltis and own the Cornwalls.  Both are spectacular.  I think, but am not sure, but Voltis can get pricey as an upgraded finishes cost you and the intro finish is really drab.  Properly finished they are beautiful though.

I think you are smart to have carved out a place or higher efficiency speakers like the Rival and Cornwall given the size of your room and your amp.  

You have a nice system already, which should make this part of your journey fun.  Your preamp is special! 

PS-- The comment above about your post being "dumb" is absurd.  A brief review of that poster's comments on the forum will easily reveal the poster has used that exact, childish and uncool language before--dare I say, troll-esque?   Your post is exactly what is appreciated here.
Adversam, I put together a CleanerVinyl system around 4 years ago when CleanerVinyl was still trying to get off the ground, so to speak. The last time I checked their website it seemed they were much more geared to offering packages, now, and less flexible about a la carte options for people wanting to put together a bare bones or inexpensive system. What I have is the basic motor that turns the records in the ultrasonic bath + a generic ultrasonic cleaner that's necessary for a system like this + 2 adapters that allow me to clean 3 records simultaneously + the lifter device that raises and lowers the records in & out of the bath. I use this system to clean records and a Knosti Disco Antistat to rinse the records. The Knosti is, basically, the German version of a Spin-Clean but, IMHO,  better because the Knosti uses brushes instead of pads. After rinsing the records, I lay them onto large record-sized high-quality microfiber cloths to absorb the rinse water. Then, I set them in the Knosti drying rack to air dry completely. The last step is using a product called "LAST" (no pun intended), a record preservative. Al my records are placed in high-quality antistatic inner and outer sleeves. This is, admittedly, more labor intensive than a fully automatic machine but considerably less expensive. As I think I may have stated earlier, if Degritter could convince me that a cleaning frequency of 120 kHz/300 watts is as good and as safe (for the records) or better than 40 kHz/300 watts I'd buy one for the shear convenience.

The Revel F208 are great speakers but, like all speakers, need to be paired with the right amplification source. Again, I am not familiar at all with your amplification source and certainly don't mean to disparage it. However, based upon specifications alone, it doesn't appear, to me, that it has enough power to drive the F208 to their fullest potential. When I auditioned the F208 with a McIntosh MA5300 they sounded very nice but I thought they needed more power and current than the MAC MA5300 can generate. The F206 sounded significantly better with that amp.

With regard to vacuum record cleaning machines like the Project you mentioned, I don't have any experience using vacuum cleaning machines. My research indicates that good vacuum RCM's are effective but ultrasonic cleaning provides the best results. You could put together a CleanerVinyl system for less than what you'd pay for that machine. Take a look at Michael Fremer's reviews of record cleaning machines on Analog Planet.
A design of Speaker that could change your whole belief system for a Speaker is the Open Baffle Design.
Triart is a Brand that is based in the eu.

A demonstration of these High Efficient Speakers would be a great experience to be undertaken.