Eldartford is 100% correct. In the "A", the cone was two tiered and had two angles. The different angles reflected the propagation velocity of Titanium (upper), and Aluminum (lower). I think the "F' was the first in a series of compromises, in that all three cone materials were all at the same angle.
The theory behind the transmission line was detailed in a White Paper that Ohm would mail you for the asking back in the "70's. I have never been able to find it on the web, nor have I been able to get it from Ohm.
We did some experiments with two way "Walsh" speakers back then using off the shelf 10" CTS woofers and the foil tweeter that Infinity later bought.
It didn't sound too bad, and in fact a couple of musicians and wealthy audiophiles were impressed enough to consider backing a commercial venture.
Unfortunately, a profitable business model and art for the sake of art collided immediately and the project was doomed.
A lot of effort was put into dampening/stiffening the cone with things like roofing tar, and terminating the outer surround to coax transmission line behavior at the same time keeping a "back wave" from going back up the cone.
One big problem was that the roofing tar worked for a week or so, but then it started to really harden the the character of the sound began to degrade. After the business deal fell through, we never followed up.
We never did any serious tests, because we were a couple of broke kids playing with Hi-Fi and couldn't afford the gear to test with. They sounded good for a while, though
The theory behind the transmission line was detailed in a White Paper that Ohm would mail you for the asking back in the "70's. I have never been able to find it on the web, nor have I been able to get it from Ohm.
We did some experiments with two way "Walsh" speakers back then using off the shelf 10" CTS woofers and the foil tweeter that Infinity later bought.
It didn't sound too bad, and in fact a couple of musicians and wealthy audiophiles were impressed enough to consider backing a commercial venture.
Unfortunately, a profitable business model and art for the sake of art collided immediately and the project was doomed.
A lot of effort was put into dampening/stiffening the cone with things like roofing tar, and terminating the outer surround to coax transmission line behavior at the same time keeping a "back wave" from going back up the cone.
One big problem was that the roofing tar worked for a week or so, but then it started to really harden the the character of the sound began to degrade. After the business deal fell through, we never followed up.
We never did any serious tests, because we were a couple of broke kids playing with Hi-Fi and couldn't afford the gear to test with. They sounded good for a while, though