I just heard the Wilson Alexandria XLF's Wednesday

Back in the 90's I visited Peter Mcgrath's audio shop outside of Miami. The room was exquisitely designed. He played a number of recordings, digital and vinyl through an early generation Watt Puppies and Wilson sub driven by a set of large Mark Levinson's. The sound was quite good. Mr. Mcgrath then played two recordings off of his own master recording tapes. The presentation went from great audio to I cannot believe the performers are not in front of me. It was enlightening to have first hand experience of source-influence. I offer this only to forgo the opinion of the speaker's performance as the single influence in the music prodution.

I've heard the Alexandreas at a friends house.... I'm not sure of which Alexandreas they are....what I hear that they bring to the party is a very realistic sence of dynamic sweep.

Heard the D'Agostino monos with Sashas and agree that it is the best solid state amp I have ever heard and indeed the very first one I liked with Wilson speakers and I've heard many. Doesn't take me out of the tube camp but makes me think maybe there is room for both a tube and ss amp in my system.

So i was (very kindly) invited to the introduction of the new XLF...superb room...D'Agostino Momentum monos...Kalista Ref CD player, ARC Ref 5SE preamp...Transp Opus MM2 Cabling throughout. On the face of it...a superb system and one to be reckoned with. Here's my view of the experience:

- Supreme 'density of signal'...greater by a 'meaningful margin' than Audio Exotics room in Hong Kong (Tidal Sunrays with 2 Tidal tower subs, 3 sets of Tidal Impact monos, Tidal Presencio, Stahl-Tek Vekian, Argento Master Ref cabling, Tripoint grounding/AC).
- This is where i think newer electronics have come a long way (and good speakers thought not necessarily 'the newest ones'...older SOTA is still amazing)...in being able to take the signal and through substantially lower noise floors, more exacting detail retreival...really are able to deliver a very strong, focused, concrete music signal. Older electronics...mainly digital...tend to deliver a 'weaker music signal'...almost like a flashlight where the batteries are getting low.
- On this system...it was like brand new lightbulb and batteries and flashlight. Very impressive.

- Better bass than i recall with X2 Series 2...but that's not a definitive statement because too many variables. What I CAN say for sure, is that this XLF will NOT replace any well setup X2 Series with a good sub. That is not close.

sound on tracks i know extremely well was 'a bit shouty'...which surprised me. I am going to give the system the benefit of the doubt and say there were probably more than a few new components...most likely the Ref 5 SE, as well as of course the speakers, and possibly the Momentums and speaker cables.
- By 'shouty' i mean that even on Amos Lee...on whom Norah Jones does background vocals so you get the idea...his voice felt a little like he was singing/shouting. And that was not the only track where i felt this touch of slightly raw overpowering force.
- Based on what i understand about the new tweeter, and what i already know about the X2, X2 Series 2 and likely the XLF mids, i might point at the Momentum monos which i have heard are 'slightly harder' than the stereo version. I am familiar with the Kalista, Ref 5 (non SE), Transp cables and the X-1, X2 series, so that is my guess.

i appreciate the opportunity to hear it, having heard the Audio Exotics Room last year with similar/same music. Feel free to ask/PM for any other observations.

Thanks Lloydelee21 for your observations. You'll have to visit Audio Exotics showrooom again as it keeps evolving. New Analog Domain amps, Stahl-Tek Vekian Opus upgrade, New Tidal Impact amps for sub, Tripoint THOR grounding cables + all kind of new room treatment.