Listening to digital and analog


Assuming there is a difference in the nature of analog sound compared to digital sound (as I do,) there are different ways of listening to each.  To me, analog is more textured and real sounding, (some, or many  may not agree)  but does that mean it’s not possible to enjoy digital sound?  On the contrary, I must adapt a different way of listening that doesn’t actively compare the two.  If one keeps the analog ideal always in mind, it makes it difficult to appreciate digital music. Therefore I have to block that ideal from my mind and listen to digital on its own terms. It must generate its own reality.  Only then, can I sit back and enjoy.
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Stop over thinking and enjoy the music. I will take me so music from any source I can. Yes some sound way better but I don’t always have the time and access to my listening room.
There’s a similar thread over at Music and I contributed a note on this theme. A major reason that some digital listening disappoints those familiar with analog is the very poor analog section even in some of the most expensive DACs. They often compare VERY unfavorably with the "analog section" of a phono pre, which is to say, the phono pre itself. But they are there to do a very similar job.

A DAC may have a sophisticated digital section providing apparent transparency, low noise, space and dynamics to a bunch of instruments that may seem themselves to sound like cardboard cut-outs to the analog aficionado. And some listeners think these DACs are great--especially after good reviews emphasizing those digital attributes. Without providing as much in effort to the analog section though, the DAC will miss the harmonic richness and depth of sound we usually attribute to good analog.

From the point of the DAC maker, most of his potential customers may never have heard a musical instrument except through a loudspeaker. So some multi-kilobuck DACs use chip op amps costing a buck or two at the center of their analog section. Not to mention cheap switching PSs. Color me cynical.

Simply replacing chip op amps in DACs of all sorts with good discrete analog sections has become a hobby to some and a profession for others. Think of what is done modifying Oppos for ex., analog section and PS.

So, if you’re an analog person, as I am, don’t tell me of your disappointment with your expensive DAC. Look inside first. Then we can talk.

And by the way, while amp and preamp manufacturers are pleased to tell you what’s inside their cases, DAC makers often are not. Rather, they sometimes try hard to hide what’s inside. As do many of the reviewers.
Having hunkered down in the corners of Audiogon for I dunno a few years, I’ll say this.

The analog v digital thing had become a matter of faith. People are set in their ways/beliefs/ideologies/dogmas and while some are very erudite about their positions, at best it’s still like watching William F Buckley debate Alexander Cockburn: both are well versed, both are articulate, and though both can agree that they are wrestling with the same set of facts, there’s a 15% chance that they will ever agree on anything.

“Debates” that imho will never reach closure are over
- digital v analog
- $2 billion cable v lamp wire
- the quality or lack thereof of Bob Dylan’s singing
- expensive v cheapskate
- solid state v tube
By no means a comprehensive list. I opt for the latter in the above binary options.

Life is short. Imho people should just be happy with the particular paths that they have chosen in an attempt to reach their particular nirvana, enjoy the journey, sit back and enjoy the damn music.

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