Classic Ortofon Cartridges: The MC2000 MK II or the MC3000 MK II?


So I have owned quite a few Otofon cartridges over the years, everything from the modest OM cartridges to a couple of Cadenza up to an A90. I typically enjoy Ortofon cartridges.

Now one I have never owned is the MC2000. It seems from a bit of reading I have done that owners of the MC2000 felt it was the most accurate of the Ortofon cartridges, and that releases after it were not its equal.

However, when you look at the MC3000 it has a higher output level that would allow it to work with my Esoteric phono stage. The Esoteric is happy running an MC200 on it which has .09 mV output. but the MC2000 is .05 mV. The MC 3000 MK II is .13 mV from what I find.

Has anyone spent time listening to these classic MC 000 series of Ortofon cartridges? I know there is also a 5000 and 7500, but those seem to be pretty rare.

Regarding the MC2000, I wonder if I use a low mass headshell if I can use it on the Dynavector DV505. I don’t think the mass of the arm in the horizontal plane should affect it, and the vestigial arm can be configured to be an appropriate match for the compliance on this cartridge.

I currently have an MC200u on the arm and its very surprising regarding how good it sounds. Its actually pretty neutral, pretty expressive, but just a bit relaxed in the top end. I certainly enjoy it, but I wonder how these statement cartridges from the classic Ortofon line will sound. These would have been from their long time designer who has now retired, so its a different era of Ortofon versus what their current offerings are. Even though we should acknowledge that the current cartridges use design principals that were developed from this earlier time period and engineering team. 

Thoughts?
neonknight
This cartridge was purchased to be used as a daily player for more casual listening sessions. I listen to a lot of vinyl, and while I enjoy my digital rig its really the turntables that get played more. I need a cartridge that I can use up and not worry about the hours it accumulates. My other cartridges are pretty decent, a Transfiguration Audio Proteus, a ZYX 4D, and Ikeda 9 Kawami, and indirectly they set the bar for the sound quality needed from the casual cartridge.

I had obtained an Ortofon MC200 to try in this application, and it sounds quite respectable, but its not where I need it to be. I could have bought a new Audio Technica OC9 series, maybe an Ortofon Quintet, but in the end when the hours are done on those carts they become throw aways. Also, they trail my main cartridges in terms of SQ by a fair amount, so they would not be something you look forward to listening to, but rather also rans.

So this is my attempt to have a good sounding casual cartridge. The acquisition price was a bit higher than a TOTL OC9 cartridge, but I am thinking its worth the difference. We shall see. My ZYX is getting up there in hours and I need to plan for a diamond replacement for it. I don’t need the MC3000 MK II to vie for the best sounding cartridge spot in my collection, I just need it to be competent.
Dear @neonknight : The A95 is better than the 90 and I agree with you about but these cartridges not only were designed for the 90 and 95 Ortofon anniversary as limited edition where some Ortofon collectors are and were really happy with.

But those designs were and are an Ortofon departure in overall design and specially in the cartridge body shape and the way they builded that body material used.

Normally Ortofon shows something new in its anniversary designs.

The 7500 is too a limited edition by the 75 anniversary and really good performer. For you this is the one to go if you want a different top Ortofon cartridge with out all the deals you have to do with the MC2000: extreme high compliance, extreme output level and higher weigth that the desired for its compliance.

About the MC2000 almost no body cares on it ( at least in Agon. ) and several audiophiles not even knew of that model till several years ago I brought here as an owner of that model and after that some gentlemans started to be interested/curiosity on it to confirm if what I posted about was a reality . @lewm is a very well regarded Agoner and confirmed it in this thread.

Miss I my MC2000? not really I owned for years and enjoy it at its best, so I move on.

Btw, this humble AT today cartridge not only could be a challenge for your top cartridges at very good price point that you can get for your today and future casual listening sessions:

https://www.audio-technica.com/en-us/cartridges/type/moving-coil/at-art9xa

R.


@rauliruegas 
When in college I worked part time in an audio store. We were an Ortofon dealer and the owner was a fan of the MC2000. We always had one in the store, but very very few were sold. It was too expensive for most customers. But I got to hear it back then, and have always knew of it's pedigree. 

I have owned the A90 and it's a nice cartridge. But I suspect I will like the voicing of the X000 cartridges, I have plans to acquire a 7500 whenever an opportunity arises. 
Yes, to expensive at 1K in those times when the Ortofon top of the line set you back only 0.6K but additional to that 1K you need to buy the T2000 for other 1K.

R.
Dear @ihcho : ""  compared to other LoMC Ortofon cartridges, like MC20, SL15, SL20? I've used them with MCA-76, T-20 and T-30, and they all sound fantastic, but never had a chance to use MCx000s.
I used MC100 briefly, but it was not as good as others.  ""

There is no comparison with the cartridges you name it. I still own the MC-10 and the 20 this one is pretty decent cartridge even today. I owned the MC200 and after 30 days I sold it.

Your T30 is way better than what we can imagine where its frequency range goes from 4hz to 200K  !.

In those old times the MC-30 was the top of the line till appeared the 2000. I bought a demo sample ( at very good price. ) and I think that even today is good cartridge.

Btw, if I remember the first time that Ortofon used in its cartridge designs the patented WRD ( damping suspension that still today continue to use. ) ) was with the MC-30. You can read somewhere in the net this about the critical/important Ortofon design issue:

""    which selectively damps resonances in the mechanical system and consists of two layers of special rubber with a platinum disc between them. At low frequencies the two rubber bearings enable the cantilever to make wide movements, while at higher frequencies the platinum disc acts as a sort of brake, progressively damping the movements with increases in frequency, so that at very high frequencies only the front rubber bearing is working ""

R.