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Classic Ortofon Cartridges: The MC2000 MK II or the MC3000 MK II?

So I have owned quite a few Otofon cartridges over the years, everything from the modest OM cartridges to a couple of Cadenza up to an A90. I typically enjoy Ortofon cartridges.

Now one I have never owned is the MC2000. It seems from a bit of reading I have done that owners of the MC2000 felt it was the most accurate of the Ortofon cartridges, and that releases after it were not its equal.

However, when you look at the MC3000 it has a higher output level that would allow it to work with my Esoteric phono stage. The Esoteric is happy running an MC200 on it which has .09 mV output. but the MC2000 is .05 mV. The MC 3000 MK II is .13 mV from what I find.

Has anyone spent time listening to these classic MC 000 series of Ortofon cartridges? I know there is also a 5000 and 7500, but those seem to be pretty rare.

Regarding the MC2000, I wonder if I use a low mass headshell if I can use it on the Dynavector DV505. I don’t think the mass of the arm in the horizontal plane should affect it, and the vestigial arm can be configured to be an appropriate match for the compliance on this cartridge.

I currently have an MC200u on the arm and its very surprising regarding how good it sounds. Its actually pretty neutral, pretty expressive, but just a bit relaxed in the top end. I certainly enjoy it, but I wonder how these statement cartridges from the classic Ortofon line will sound. These would have been from their long time designer who has now retired, so its a different era of Ortofon versus what their current offerings are. Even though we should acknowledge that the current cartridges use design principals that were developed from this earlier time period and engineering team. 

Thoughts?
neonknight
neonknight OP
413 posts
 
@rauliruegas 
When in college I worked part time in an audio store. We were an Ortofon dealer and the owner was a fan of the MC2000. We always had one in the store, but very very few were sold. It was too expensive for most customers. But I got to hear it back then, and have always knew of it's pedigree. 

I have owned the A90 and it's a nice cartridge. But I suspect I will like the voicing of the X000 cartridges, I have plans to acquire a 7500 whenever an opportunity arises. 
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rauliruegas
13,121 posts
 
Yes, to expensive at 1K in those times when the Ortofon top of the line set you back only 0.6K but additional to that 1K you need to buy the T2000 for other 1K.

R.
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rauliruegas
13,121 posts
 
Dear @ihcho : ""  compared to other LoMC Ortofon cartridges, like MC20, SL15, SL20? I've used them with MCA-76, T-20 and T-30, and they all sound fantastic, but never had a chance to use MCx000s.
I used MC100 briefly, but it was not as good as others.  ""

There is no comparison with the cartridges you name it. I still own the MC-10 and the 20 this one is pretty decent cartridge even today. I owned the MC200 and after 30 days I sold it.

Your T30 is way better than what we can imagine where its frequency range goes from 4hz to 200K  !.

In those old times the MC-30 was the top of the line till appeared the 2000. I bought a demo sample ( at very good price. ) and I think that even today is good cartridge.

Btw, if I remember the first time that Ortofon used in its cartridge designs the patented WRD ( damping suspension that still today continue to use. ) ) was with the MC-30. You can read somewhere in the net this about the critical/important Ortofon design issue:

""    which selectively damps resonances in the mechanical system and consists of two layers of special rubber with a platinum disc between them. At low frequencies the two rubber bearings enable the cantilever to make wide movements, while at higher frequencies the platinum disc acts as a sort of brake, progressively damping the movements with increases in frequency, so that at very high frequencies only the front rubber bearing is working ""

R.



edgewear
543 posts
 
The MC30 was Ortofon's highest achievement before the arrival of MC2000, introducing some important innovations as mentioned by Raul. It was a real statement product that initially came in a luxury leather attaché case, complete with test record. In the Ortofon 100th Anniversary book it is mentioned that the MC20 which preceeded the MC30 was (co)designed by a young Japanese designer. The story goes that this individual was none other than Nakatsuka San, later of ZYX fame. Small world indeed!

The original MC30 was also a very low output device at 0.1mV (my sample is even lower at 0,09mV) and was probably as difficult to operate in the 70's as the MC2000 was in the 80's. All subsequent versions of MC30 (mk2, Super, Supreme) had higher output to make it more managable, just like subsequent models in the '000' series, but none sounded as good as the original version.

To my ears the original MC30, original MC2000 and MC7500 were the best Ortofon cartridges of the 20th century, until in this century new owners started a new phase of ultra high end designs with models like MC Anna and the A90 and A95 Anniversary models. These are extremily good systems, but their sonic priorities are more geared towards maximum information retrieval, consistent with what high end audio is all about these days.


best-groove's avatar
best-groove
844 posts
 
later of ZYX fame.

I am aware that before Zyx he worked for Monster Cable with the Alpha and Genesis series ... I do not remember if it is always the same designer of the Ortofon Mc 20 30 etc. etc.


The original MC30 was also a very low output device at 0.1mV (my sample is even lower at 0,09mV)

also my two MC 30s ... one 0.09 the other 0.092/0,093mV but I knew an owner that the output was 0.085mV.
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