Most forgiving high end speaker 10k-20k?


Better high end speakers are typically so high in resolution that, while they sound superb with great and maybe even good recordings, they sound mediocre to plain bad with average recordings. Given that many people have average recordings that they enjoy, and would wish to be able to listen to most if not all of their music library, what speakers in the roughly $10k-20k realm (new price) would provide an extraordinary listening experience across the spectrum (average to good recordings especially)? Does such an animal exist?
jeffkad
Some good suggestions here. I would second Sonus Faber. I would add Dynaudio.

I think Onhwy61's advice is excellent: focus on system synergy. As others suggested, I would start with the speaker/room interface. Then choose an amp that mates well with your speakers. I'm not saying you should actually buy the speakers first and the amp second, though you could do that. I'm saying that thinking backwards from room to speakers to amp to preamp to source can be a very effective way to think holistically.

As to the issue of whether or not you want highly RESOLVING speakers, I believe the answer is: It depends. If your love the sound of your upstream components, then highly resolving speakers may be very pleasing. If the flaws of the upstream components annoy you, then highly resolving speakers will magnify that annoyance, IME. On the subject of the listenability of bad recordings, you may find this thread of interest.

As to the issue of whether a more neutral system or a more colored system is likely to yield good results with bad recordings, again I think the answer is: It depends. If the colorations are euphonic, they very well may improve the listenability of bad recordings. But of course many colorations are nothing more than audible distortions, and that can get old fast. Someone above suggested that, by increasing neutrality, you are more likely to reveal what a recording does right, and hence increase the recording's listenability. I think there's a lot of truth to that. But I also think that it is far more difficult to assemble a system with an ear to neutrality than an ear to coloration. On the topic of neutrality, you may find this thread of interest.

I also believe that the beneficial effect of neutrality on listenability stops at some point, and that the clearest window to a bad recording isn't always the most pleasant. Audiophiles often express this by saying they want more "warmth," a large subject in its own right. On the topic of warmth, you may find this thread of interest.

That should keep you reading until Easter.

Good luck.

Bryon
I agree on the Harbeth M40.1 recommendation. I would also suggest you investigate Daedalus Audio. Very resolving yet never fatiguing.
With the upper end Vandersteens, you can tailer the speaker to sound good in the room its in...can't do that with others.
One of the Salk SoundScapes might fit the bill. They have an open baffle “bloom” that is fantastic for all types of music. It even makes mono Larwrence Welk shows great and I hate Larwrence Welk.

Bob
I highly recommend Ascendo Systems speakers. They really push the boundaries of analytical vs. musical, giving a very highly resolving and very musical presentation. I have the System ZF3s. I have not been happier with a speaker since I got my Spica TC50s 25 years ago. I have also owned Spica Angelus, Talon Hawk, Sonics Allegra, Audio Physic Virgo, home auditioned Magnepan 1.6QR and Linn Espek, been to several CES/THE shows. The System M-S stood out as spectacular at the CES I heard it at, and the Z provides the same sound in my living room. It makes me think the bad recordings are not so bad, but are really just resonating with the problems in our systems.