Bass sensation like a loud car system in home?


I know this is a bit of a silly question but bear with me here:

What options are there for getting that feeling of a powerful subwoofer vibrating through your body in your home?  I know the easiest option would be to just put a capable subwoofer next to your seating and let it hit as hard as it can.  I'm also not trying to make all of my neighbors hate me so I'm looking for some creative solutions to pulling it off at reasonable residential volumes.

I'm thinking that some combination of tactile transducers in the couch and a subwoofer next to or also installed inside of the couch would get pretty close.  Being right under your body I wonder what kind of decibels would actually be required to get a bass massage going.  Without the sensation of the high volume bass it also might just seem silly and be a complete waste of time aside from watching movies.

Thoughts?
yukispier
What @myjostin said, and…

What you get in a car is called "Cabin Gain"; large drivers in a confined space. You can solve this in a house by adding a lot of large drivers, most musicians playing bass prefer 4 or more 10” drivers right now for a modest club, multiples of that for larger halls, rather than 2 12’s or 15’s, for accuracy sake. (A random fact made by musicians buying performance speaker cabinets.)

Or, to everyone else’s point that you could possibly be the most hated person in town, you can build a small room within a room in a basement or garage, as an example, where the listening chair is in the middle, and the drivers are modified surface mounts and the cabinets external to the listening space. Say 6’x8’; with all surfaces dampened with fabric, carpet with padding etc. This takes Nearfield listening to the extreme. And it doesn’t take scads of power to pull it off.

If properly constructed, even people outside of your "cell" in your house won’t be too bothered, because you don’t need windows and instead of sheet metal on the outside you can use fire rated ⅝” Sheetrock on the inside and outside, and of course if built well, you can fill the insides of the walls and ceiling with sand or some other such vibration dampening material. So essentially a soundproof booth.

Frankly, I’m glad you brought this up, because I’m going to design one for my garage and build it. I love thunderous Rock and Classical, as it’s the best anti-depressant I have found. 😉

And I can execute a tasteful low wattage prissy system for my family room for showin’ off. 😂

A spectacular system could be built for around $5-6k.

I dub thee the “Sound Cell Supreme" listening room. ©️2021 William Pietrzak.

2- Scan-Speak 32W/8878T11 Revelator 13" Woofers, $1,400.
2- Hypex FusionAmp FA501 (250W 8 ohms mono), $1,000.
5- Seas Excel C18EN002/A (E0060) 6.5" Coaxials, $2,500.
1- $2,500 5 channel surround sound receiver of your choice.
1- Building supplies for room and speaker enclosures, $2,500.

Total, $10,000. And peace of mind that no one will bother you, and you will bother no one.

(I already have an Arcam surround receiver and 2 KEF subs to handle the power end and bass, so I’ll settle for those in mine.)



Oh, and PS. No square corners in the build. And of course the room correction software of your choice!

Mine will have a Mercedes Gull Wing style door to enter. 😁

This is the fun part of being a retired product designer. 😉
@dizbuster
Funny you should say that because in my original music room (with double hung windows from 1957) I had to chase down all the buzzing and mitigate as I went.  Then I could finally let the Hartleys rip and amazingly to me I cracked all the windows playing DSOTM.  Not due to sound pressure, just those bass notes vibrating them so hard. Sounded wonderful.  And for those of you who have not heard DSOTM on a system that will play below 20hz you would be surprised how much information is down there.
Regards,
barts
Go william53b and absolutely right. Dave Holland uses a cabinet with 4 10" drivers and close in it is pretty potent. This is for your routine jazz
clubs which are not all that large. 
You do not need to resort to huge drivers to get the best bass. They take up way too much room when you factor in the enclosures they require.
Today's subwoofers are way more powerful than drivers of old. Their Xmax is much higher, up to 2 inches is not uncommon. The old drivers you were lucky to get 1/4 inch out of them. The larger drivers also tend not to move straight in and out. They wobble! I have seen it with high speed photography. In a 16 X 30 foot room four 12" drivers in corners and along the front wall (were they are most efficient) will do fine given enough power and a little EQ. Eight 12" drivers would be definite overkill.

The one concept I really dislike is the one that requires different bass for different functions like theater vs 2 channel. My 2 channel system doubles for theater and I do not make any adjustments between these functions. Last week I almost scared the projector tech to death with Star Wars then next I put on Dave Holland. No adjustments. Accurate bass is accurate bass regardless of what you are listening to. Maybe people like juicing the low end for theater because they think it's cool like oversaturating the colors. Definitely, there are way more theater people than us audiophiles and you always want to buy equipment that was designed especially for your purpose which is marketing garbage. A good is a good amp regardless. Accuracy is exactly the same for theater and 2 channel. Maybe some of us audiophiles are thinking we don't have to go down that low. You don't have to do anything but in regards to the performance it is a vital part of projecting realism and making you think you are really in a much larger room. Many systems start dying at 100 Hz. The specs might say 28 Hz to 20 kHz but that is at one meter in an anechoic chamber not three meters in a 15 X 25 foot room. Just get a measurement microphone. Actually, don't do that. It can be very depressing. Sh-t! I was listening to that??