Bass sensation like a loud car system in home?

Auto bass in the home.....🤪

What's not to like?!
Crack that sheetrock, all the seams rippling like the pond subjected to a stream of rocks.....Big Rocks (not yours, sorry....*L*)
Renovating in mind?  Get that old lath cleared of horsehair plaster bits.....
(Your woofs will get dusty....wear a mask, which ought to be part of your 'lifestyle' anyway....unless you're interested in creating a vacancy by one means or another....)

"Let's evolve CV-19, v.G!"

no

The potential nice effect of major home subs that mimic car rattling ones' is that your bowels Will Move....so be aware....*LOL*

Topic is closed.  This discussion has devolved into s-posting and is not helpful.

My only question would be, why?
Unless I am watching a battle scene from Avatar or Midway, the last thing I want is bass that is disproportional to the way it was recorded.    

the last thing I want is bass that is disproportional to the way it was recorded

The type of music that you want this bass for is produced, mixed and mastered with slamming bass setups in the studios.  Purpose built studios have the benefit of being able to float all of the floors to decrease carryover but you still can feel the bass through most of the building while a session is really pumping.  Obviously this is the absolute wrong forum to even have asked this question on.  Lets let it die now.

@tony1954 -

My only question would be, why?
Unless I am watching a battle scene from Avatar or Midway, the last thing I want is bass that is disproportional to the way it was recorded.

I believe I understand what the OP is after, that "inside your head" kind of bass that’s produced in a car, and I find it is most closely reproduced with a mono-coupled DBA sub set-up in your home. I like it for what it is, many aspects actually, but ultimately I find the "outside your head" bass that’s created with stereo-coupled, symmetrically placed subs - usually a pair only placed fairly close to the main speakers - to be the more natural sounding. The real culprit it seems isn’t as much whether there’s stereo information in the bass below 80-100Hz, but that what’s effectively a pair of subs are placed symmetrically to the mains - i.e.: with equal distance to your ears - and that may put even a symmetrically placed DBA subs setup in a disadvantage. Some may want to convince (that is, ’correct’) us timing in bass doesn’t matter, but it absolutely does to those sensitive to it for whatever reason. In any case, that’s not what the OP is asking for, so: mono-coupled DBA from my chair.

The thing about "bass that is disproportional to the way it was recorded" is a bit tricky, if not easily misleading. If anything I’d say most hifi setups fall short of reproducing bass proportionately (i.e.: with proper energy and immersion), and moreover an addition in capacity doesn’t dictate for it to be dialed in overly "hot." That said cleaner and more effortless bass can (and usually should) be dialed hotter to recapture and natural balance and foundation in music (and movies) that a less capable bass system can’t approach without making itself too "visible" in the mix.