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Stock Voyager GaN amp (350/600) Contrasted with my EVS1200 (600/1200)

The Voyager (V) I received is well broken in, and as the title says, it is stock. An upgraded version will come later.


I let the V warm up for ~ 24 hours while I listened to my beloved EVS 1200 (~$2300) playing a wide variety of Redbook CDs; The Judds, Chris Issak Heart Shaped World, Leonard Cohen remastered collection, Willie Nelson Across the Borderline, the Eagles Hell Freezes Over, and Jennifer Nettles Playing with Fire (love the music, but the mastering has a few ear bleed cuts- or does it???). I capped the session off with Roger Waters Amused to Death SACD, a huge, occasionally very dynamic, and intentionally phasey recording. While I enjoyed the hell out this listening session, but afixed in my mind was reading others reporting on their not fully broken in V amps frequently mentioning detail/clarity, the music via the EVS 1200 wasn't as focused as I felt it should, but have accepted for 2 years, as it easily outperformed my PS Audio M700s (MSRP $4000), FYI, their M1200s are based on the same IceEdge AS1200 modules as my EVS 1200, but untouched. They simply added their own tube input stage (MSRP $7000), and Audio Alchemys DPA-1 ($2000), wish I could have tried the monos ($4000), but...


Could  the lack of focus be elsewhere, like the Wire World Electra 7 Power Conditioning cord ($240), connected to my Audio Alchemy DDP-1 + PS 5, which is IMO, my weakest PC, all the others are $700+, or my $150 Pangea XL coax cable? How would the V stack up?  Im thinking it can't be THAT much better, and what about the huge power disparity in my ~ 26 x 38 X 12 lively room with lots of glass and open beam ceilings, which adds up to brightness?


I connected the V, but didn't want to start with any of the same discs, just in case the V needed to see some signal before being ready for the comparison, so I chose Getz/Gilberto Jobim and Astrud Gilberto SACD as a nice way to ease into the Voyager. I haven't listened to this disc in months, so no recent memory to taint hearing it now. Did I say 'ease'. Silly me.


I'll cut to the chase hear/here, from the first note, it was obvious that this is a special amp, but at $3500 MSRP? OMG: What a steal!!! The focus reminds me of how much sharper and with greater depth of field pictures taken with Leica camera lens are, compared to all other cameras and lenses. GaNs magic is the equivalent of Tesla EV motor speed- immediate: The V grabbed me from the first note.


More  to come after I go through the Redbook CDs that I started with, but I already know it's a moot point. And wilder, still, LSA has already made a few tweaks, like the internal wiring for an additional $175.


Ric Schultz was right when he said expensive amps will be boat anchors
tweak1
tweak1 OP
3,562 posts
 
"Switching Speed" that’s the term I was unable to pull from my brain lol


When Ric asks " Can you describe the tonal balance difference, bass response, naturalness, soundstage, air, high frequency extension, detail, speed, dynamics, slam, decay, depth, purity, separation of instruments, noise level, ability to handle complex music, etc, etc.....something? "


Perhaps the Voyager has revealed the limits of my Audio Alchemy dac, and possibly the limits of my Oppo 105 as a transport, or one XLR interconnect (Surf Cables Silver), although when I say that, listening to say KD Lang Ingenue last night, which sounded ’good’, but not crazy good, until the 4th song, which was properly recorded and sounded amazing. It just depends on the recording. I'm guessing analog 'philes will be overjoyed

Also, a discrete input seems the logical next step


hth
tweak1 OP
3,562 posts
 
In further assessing my stock Voyager, I finally got around to classical. First up was Yellowstone by Chip Davis. I have a connection to this as I visited Yellowstone and hiked around. On one hike along close by a river a small herd of Buffalo came by some 30 yards away from us. I took a picture of a calf suckling on its mother. We stood and watched without moving, and yet the bull came between us and his herd, non threatening, but certainly sending a message.


The album has cuts with nature sounds, as though they were recorded in the open. Expansive, open, transparent, well recorded. It's this kind of recording that makes the Voyager special

To answer the question "How does it sound?" I recommend reading the Absolute Sound Technics Integrated Review in the July 2021 issue, under the heading enough of the technobabble... I couldn't have said it better myself

My EVS 1200 slightly warmed the recordings, and while that has a place, I much prefer the Voyager


hth

grannyring's avatar
grannyring
6,441 posts
 
Interesting. I did not find the EVS warm. I did find the tone of this amp is greatly influenced by the footers used and power cord. It could go from slightly warm to razor sharp leading edges and copious amounts of inner detail. 
tweak1 OP
3,562 posts
 
@grannyring

I know what you mean, I meant by comparison using the same PC, iso devices (Machina Dynamica Springs) and WW XLRs

tweak1 OP
3,562 posts
 
I neglected to mention "power". My last 4 Class D amps were: Emerald Physics 100.2SEs (100wpc?), Audio Alchemy DPA 1 (125/200), PS Audio M700s (350/700) < none of these adequately coupled to my room; ~26 x 35 x 12, lots of glass and terrazzo floors, meaning it's a lively room. So I bought my EVS1200 (dual IceEdge AS1200 modules!) direct from Ric (600/1200 per module!!!) and it did the job of coupling the room to the music. Let that sink in, BECAUSE, the Voyager (350/600 per, as it has dual modules) is every bit as energetic/powerful, but on good recordings, blows the EVS away.
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