Mono cartridge recommendation

Sounds like you will be setting up two tables, one specifically for mono.  That is what I do since I have many mono albums.  I recommend you start with one of the less expensive cartridges.  I dipped my toes into mono with the Grado M+ and later the  Myajima Zero.  Improved timbre across the board and female voices are extremely well rendered.  Signal to noise greatly improved with true mono cartridges as Elliottb stated. The question is how deep do you want to go. 

@lewm 

Thanks for that.  I did notice that in some of the literature for some of the cartridges, it did mention bridging the left and right.  Also some mentioned different stylus profiles.  I currently do use the mono switch on my preamp when listening to mono records, though sometimes I do forget.

I'm wondering, how much the stylus profiles, as Elliot mentioned, play into the noise reduction?

Sorry about the double post.
Great you are already in waist deep.  Go for it and have fun with mono.  Myajima makes monos in the $1k range also.  At least they used to.

There are lots of opinions on stylus profiles in relation to playing mono LPs.  One side of that issue is addressed pretty well on the Miyajima website, but it is a bit one-sided. I personally have no opinion because no experience; I am still using the mono switch for mono LPs.  So I can only say that makes a major difference for the better, compared to playing mono LPs in stereo.  I do own a Shelter 501 mk2 mono cartridge, but it sits in its sealed packaging; I just never have bothered to set it up. I would tend to doubt or at least wonder whether a mono cartridge, especially one that is derived from a stereo base, would be quieter than using a mono switch, but both are for sure likely to be quieter than playing mono in stereo. 


The brain is a wondrous organ; I swear that I hear some of the better mono LPs in a kind of stereo, in that I can place the instruments and vocalists in front of me.  Whereas in some other (mono) cases, every musician is sitting on every other musician's lap.

I have gone through a lot of mono cartridges.  I think there is a strong consensus that using a true mono cartridge sounds better than using a mono switch.  I have done both and heard the difference. Endless discussion of the subject online if you do a search.   

Couple people mentioned the Miyajima Zero.  Nice cart but well over $2000.  Used to be around $1500 but they bumped the price way up over the last five years. I have some mixed feelings about this company but that is OT.   

I have a Miyajima Premium BE.  It is very nice but I don't think I would call it neutral.  I also have a Phasemation Mono which is equally good, (actually better IMO) just a bit less romantic sounding and more detailed.
A great place to start would be an Audio Technica AT 33 MONO.  Unless you are really serious about mono playback, this might be all the cart you need. It has a rich clear sound.   In your price range and taste, the Hana Mono,  VAS and Soundsmith would all be worth a look. I am looking at a wood body Grado next but these have a more lush presentation that might not be your idea of "neutral".