@dover
I suppose I should have three pre-amplifiers to go with my
three amplifiers, but I haven't brought myself around to that decision, yet,
although, it looks like I may very well be heading in that direction, if for no
other reason than to compare the various strengths and weaknesses.
I have always enjoyed the Manley Steelhead as a line stage
and phono stage, but I have noticed that it's weakness is at higher volumes,
regardless of the amplifier used, when the sound becomes either washed out or
distorted to the point of just sounding "weird".
Each amplifier has its own strengths and weaknesses. I cannot say that there is one favorite
overall, as each one excels with a particular type of music: for instance the Atma-Sphere MA-1 are my
favorite for small, solo or two instrument pieces, but it has difficulty with
larger, orchestral works; the Conrad
Johnson LP140m work well for both large and small scale works, and are my favorite for anything with wind instruments or brass, or
larger stringed instruments, like the cello, but they color certain instruments
such as the piano. The Lamm M2.2 are the
most detailed, and are the best for piano and violin compositions, but the sound of
certain instruments such as the cello or wind instruments sounds somewhat
synthetic.
I think I've decided that I must keep all three amplifiers
for my rotating musical preferences. Now
I just need another pre-amplifier or two to throw in the rotation for my
listening pleasure.
Thanks for your input on the relative strengths and weaknesses of the pre-amplifiers: looks like my short list now includes the CJ GAT2 and the A-S MP-1. Maybe I'll try out both, and keep the Manley Steelhead in the rotation!