Cartridge ISOLATION; What Say You?


another good read, it does go against my 'instinct' of a rock solid cartridge/arm connection. (non-removable headshell) 

Who thinks what?
Who tried what?

https://www.tnt-audio.com/accessories/isolator_e.html

btw, has anyone tried a Len Gregory cartridge (with or without the isolator)?

another comment in the article: reviewer mentioned a layer of isolation under the tonearm base (he tried blu-tac). Also against my 'instinct'.
elliottbnewcombjr
In one eye and out the other, love it.

a steady diet of unamplified acoustic instruments and voices in a reverberant space is the reference. Otherwise chasing your tail.

iF amplified Tower of Power ( a great band over these many many years BTW ), is your reference then I suggest Meyer Sound  gear… 
Oh the days… I used to cath live Jazz, no amplifiers at a fantastic bar in Charleston - High Cotton

… oh the days, and nights

@tomic601 , I believe I said TOP was not to be used as a standard. No large venue system can be used as a standard. You have no reference.
Acoustic instruments are tops, Jazz is great. Bands with individually amplified instruments can also be used. The Dave Holland Band is a great example. Everyone is amplified except the drums. They use the same set up recording that they use on stage. I've seen them three times and their records sound exactly like they do live. Dave's bass has a lot of character and he takes frequent solos. Great for evaluating bass performance down to 40 Hz or so. 
In Boston we have the Regatta Bar and Skuller's, smaller venue bars seat maybe 100 people at the most. 
Don't forget classical music either. String quartets are great for evaluating imaging. 

@lewm
 , I think you may be on to something. 


string quartet in the mastering room….what an idea….

w both high speed tape and a really good ADC ( Wadia 17 ), imagine that….

We all craft our own references…