@atmasphere --
Al was a really nice guy. I miss having him here.
Indeed - a very knowledgeable guy, well-spoken and always with a balanced and to-the-point approach.
.. A 'high sensitivity speaker' is really going to be more like 96dB at the lowest; there's something called 'medium sensitivity' which is about 90 to 96dB.
Was going to bring this up as well. I guess it's illuminative into the inertia of hi-fi speakers being by and large rather inefficient, and that anything that hits higher at 90dB's or slightly above this number is then deemed "high efficiency." It certainly is not.
@lonemountain --
The thermal compression you speak of is purely a function of the driver's ability to dissipate heat, not the amplifier, as all voice coils get hot when "powered up" by any size amplifier. Its the inability to cool the driver that causes thermal compression and reduces driver performance.
Definitely, and therefore it also goes to show that compensating for low efficiency by simply adding more wattage will, all things being equal, more easily meet the drivers saturation point in regards to thermal compression.
Thermal compression happens to high and low sensitivity speakers at all price points.
But at different SPL's, that's the whole point.
Listeners will wonder why their speakers "sound different" when played loud for periods of time, this is a voice coil heating up and reducing its dynamic range. Since its impossible to see this in action, its within the driver itself, we cannot assess this externally or by any spec.
Speakers like ATC, certainly the bigger models, use large diameter (though sometimes rather short) voice coils that will more effectively dissipate heat. Large voice coils (+3") generally are not not implemented in low(er) efficiency hi-fi speakers, and so thermally are more challenged. Moreover many ATC speakers - when best, to my ears - are actively configured, and this makes them impervious to the influence and effect of a passive cross-over at higher SPL's, while also having the amplifiers work seeing into an easier load - all of which contributes to a sound that is less "stressed" at higher levels.