NYC Axpona Audio Show report

Bill Parrish (GTT Audio) always does a great job. My take:
NYC is not well-suited for shows, and that may explain why these don't happen here much anymore. Several manufacturers chose to use local dealerships as their 'host' venue coinciding with the show- at first I thought this was unfair to the show organizers to ride their coattails, but I assume that they had much more control over the room acoustics. The labor/union thing in NY is pretty unworkable (you need to pay a guy to plug in a plug) and the Waldorf's 15th floor, where alot of the smaller rooms were, was somewhat gloomy.
I really also enjoyed HiWater Sounds room- Cessaro Horns with Tron 211 amp and the Acustic Raven table. I didn't make it to the MBL room, it was far too crowded on Friday, and that's the only day I was there.
The biggest kick for me was the Robyatt room, playing old Quads (yes, the original ESLs) using a Stellavox tape machine as source.
It was also good to see many old friends there- I have been in this hobby a long time and in NY area also along time, but hadn't been involved in any show or club pursuits in years. I walked into the check-in floor and immediately saw 15 people I hadn't seen in 20 years. It was nice to catch up.
Sometimes we forget its not just about the equipment. Music is made by people. And music reproduction equipment is too. One of the fascinating things about this hobby/pursuit/business is that it is still inventor driven at the high end and at shows such as this, you can often meet and speak with the people whose ideas and work are behind the devices.

Dear Peterayer,

I am delighted that you enjoyed the sound from our big Scaena system. You are quite correct that this was an expensive setup however if you compare the two systems you liked we are about $80,000.00 less expensive than the other excellent room you mentioned!

The turntable is the magnificent Kronos which is priced at $28,000.00 and believe it or not is a remarkable value, for the level of build quality and engineering that went into the design.

The thin rooster indicated that 'shows' as part of the hi end business model, are fading. Perhaps Rocky Mountain is the only exception. Most successful audio product lines use a business model of a strong dealer network, coupled with lavish attention to cultivating the audio media.

Axpona did not produce this show. I believe it was a British outfit, the Chester Group.

That is correct, Chester Group organized. I wonder why hi-fi manufacturers don't do road shows or pop-up stores in areas where there are few dealers.
Introducing people beyond the usual assortment of folks who frequent the conventional dealerships, which are fewer and far between.
There even used to be 'live v. recorded' demonstrations -
I think hi-end hi fi seems to be enjoying a renaissance despite the ubiquitous MP3 and other diversions (like this one, on the Internet).
I'm constantly amazed at the proliferation of new turntables, phono stages (think back ten years compared to now- that market has literally exploded) and costly amps and speaker systems. And, the amazing variety of approaches, just when you think that it's all been done before, someone comes up with a new way to approach a nagging problem or revisits an old circuit or design and revitalizes it (Garrard 301, anybody?).
Best,
Bill Hart