If the phono stage has gain settings up to 60 or 65DB in addition to impedence selections for cartridge flexibility, why do you need an SUT? It would seem logical that more connectors introduce more distortion.
If you are talking about an SUT instead of a phono stage because the impedence is already well suited or in addition a phono stage that has no gain capability, then I guess it makes sense.
Am I missing something?
If you are talking about an SUT instead of a phono stage because the impedence is already well suited or in addition a phono stage that has no gain capability, then I guess it makes sense.
Am I missing something?