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Is improvisational jazz to impressionism art as smooth jazz is to realism art?

So, I’ll acknowledge up front, I’m an engineer. Civilian and Warfighter lives can be in the balance depending on whether our company products perform as required or not. As a result, I try very hard to drive the entropic world we live in towards black and white as much as possible. I need to put order to chaos. When i look at art, impressionistic art requires a lot of mental work to make sense of. I just don't see it or get it, appreciate it or like it. I also find, as hard as i may try to enjoy improvisational jazz, that i don't get it, appreciate it, or like it. Instead, I love Realism art and instrumental smooth jazz!!
Reading from Audiogon forum pages for a couple of years now, i feel like i should feel inferior because 1. I don’t appreciate the free flow of expression that is improvisational jazz and 2. I love that there is a tune and thread in smooth jazz. I love the guitar artistry of Chuck Loeb, Chris Standring, and Acoustic Alchemy; the trumpet expressions of Rick Braun, Cindy Bradley, and Chris Botti; and the bass works of Brian Bromberg. 
I’m curious if there are many others out there that equate order (or lack there-of) in their music tastes to that of their taste in the visual arts?
Also, are there many other music lovers who would rather enjoy a good smooth jazz listening session than improvisational jazz?  If so, who do you listen to?
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facten
2,877 posts
 
@estreams - At the end of the day whether or not others disdand smoothjazz doesn’t mean that you shouldn’t enjoy it, I sure do.

A partial list of groups/artists I enjoy: Rippingtons, Four Play, Roman Street, Lyndsey Webster, Gerald Albright, Quentin Gerard W. , Brian Simpson, Steve Oliver, Jeffrey Smith, Randy Scott, Chris "Big Dog ’ Davis, Marc Antonie, Tom Braxton , Braxton Brothers, Randall Clark, Tony Saunders, Darryl Williams, Nate White, Boney James, Marrion Meadows, Blake Aaron, Billy Ray Shepard, Norman Brown, Silk, Streetwise, Julian Vaughn, Acoustic Alchemy, Stanley Clarke, Blair Bryant, Special EFX, Smoothjazz Alley, Patrick Bradley, Four 80 East, Paul Brown , Roberto Vally, Jeff Lorber, etc. Likewise some "in-between" the two - Steve Khan, John McLaughlin, Alex Skolnick Trio, Simon Phiilips




stuartk
2,766 posts
 
@kijanki:

"Jazz is simply inferior to classical music. Jazz musicians don't know where the right notes are and "hunt" for them by trial and error, while classically trained musicians find them instantly. Just look at Jazz bassist or guitarist - they "walk" all over fretboard until they find right note. Sure, it looks like improvisation, but don't be fooled - it is lack of proper training".

I'm assuming this is a joke.


stuartk
2,766 posts
 
@facten:

I'm curious: which John McLaughlin recordings qualify as Smooth Jazz?????
stuartk
2,766 posts
 
@serjio:

"In the Soviet Union, there was a joke-saying:
today you play jazz - and tomorrow you will sell your homeland (everything sounds in rhyme).
Surprisingly, years passed and it was these people who turned out to be traitors ...

Behind abstractionism and improvisation (most often) hides anti-art, chaos, mediocrity, dehumanization - it is easier to realize there for those who do not know how to create a masterpiece, but know how to sell themselves ... a fool - you need to convince that this is cool! - to play on his vanity and pride ... he is not like everyone else! - and for this you have to pay a lot of money))))

When people discuss works of such creativity (for example, Malevich's "black square") ... it seems as if art critics gathered around a puddle of urine in an elevator - and everyone fantasized what it was like, what an artist's inner world ... what he wanted us tell this ...

There are probably exceptions, but there are very few of them, and most likely - the melody turned out to be similar to the classical one"

What a load of reeking garbage you've served up, here. 
kijanki's avatar
kijanki
4,428 posts
 
@stuartk   Of course.  I love Jazz.
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