After many years of using various tonearms including four different VPI arms, the 3D printed plastic arm included, I installed my first Reed 3P. It was an epiphanous moment. The huge sonic difference is no doubt due to the amazingly talented designer Vidmantas Triukas. The experience convinced me that if I had to choose between a $250,000 Tech Das table mated to lets say a VPI arm, which I believe to he kludged together pieces of junk, or a restored Garrard 301 with a Reed 3P, I would choose the latter every day of the week and Sunday too. It-the discovery and conclusion-was against all of my pre-conceived notions and assumptions. Enlightenment. May it come to you too. I am self-aware that this sounds arrogant on my part. But once you hear a really well designed arm there is no going back.
Turntable versus tonearm versus cartridge: which is MOST important?
Before someone chimes in with the obvious "everything is important" retort, what I'm really wondering about is the relative significance of each.
So, which would sound better:
A state of the art $10K cartridge on a $500 table/arm or a good $500 cartridge on a $10K table/arm?
Assume good enough amplification to maximize either set up.
My hunch is cartridge is most critical, but not sure to what extent.
Thanks.
So, which would sound better:
A state of the art $10K cartridge on a $500 table/arm or a good $500 cartridge on a $10K table/arm?
Assume good enough amplification to maximize either set up.
My hunch is cartridge is most critical, but not sure to what extent.
Thanks.
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- 154 posts total
- 154 posts total