You guys seem to understand there are two different ways of setting azimuth. What you are missing is what this means: The sort of absolutely precise azimuth you are after cannot be achieved via any sort of observation other than listening.
The two methods everyone uses are
1) Observing the angle of the stylus in the groove. This is what the vast majority recommend. Get a USB microscope.
This is indeed great and wonderful for getting your stylus geometrically aligned for tracing the groove - of a static, stationary LP. The stylus sticks out from the end of the cantilever. Playing a record exerts lateral forces that torque the cantilever. Everything from the stylus to the cantilever to the cartridge body to the head shell and on down the line starts oscillating like crazy. If you could see it in high speed slo-mo you would freak. You would also shake your head at the futility of observing the static state.
and
2) Observing generator voltages. This is the electrical observation you are asking about. In this one, which I would by the way say is arguably more relevant, the observation is to get a voltage as ideal as possible.
The problem with this one, it is like measuring an amp by watts. Do the most watts mean the amp sounds the best? Right. Waste of time.
This one will at least give you a fighting chance of getting really good separation, which will probably lead to a bigger wider deeper sound stage.
Probably. But no way to know for sure. Why? Because of #1. What if the electrically correct azimuth results in a slightly different stylus azimuth? What then? Which one do we use? Split the diff?
No. We listen. Listening is the only observation that sums all these and more into one coherent whole. Same for VTA, VTF, and all the other stuff too by the way. Just every once in a while instead of just saying so it is nice to let the folks know I know all this tech stuff too. Before you discard something it is always best to know exactly what it is and why it is okay to discard it.
The two methods everyone uses are
1) Observing the angle of the stylus in the groove. This is what the vast majority recommend. Get a USB microscope.
This is indeed great and wonderful for getting your stylus geometrically aligned for tracing the groove - of a static, stationary LP. The stylus sticks out from the end of the cantilever. Playing a record exerts lateral forces that torque the cantilever. Everything from the stylus to the cantilever to the cartridge body to the head shell and on down the line starts oscillating like crazy. If you could see it in high speed slo-mo you would freak. You would also shake your head at the futility of observing the static state.
and
2) Observing generator voltages. This is the electrical observation you are asking about. In this one, which I would by the way say is arguably more relevant, the observation is to get a voltage as ideal as possible.
The problem with this one, it is like measuring an amp by watts. Do the most watts mean the amp sounds the best? Right. Waste of time.
This one will at least give you a fighting chance of getting really good separation, which will probably lead to a bigger wider deeper sound stage.
Probably. But no way to know for sure. Why? Because of #1. What if the electrically correct azimuth results in a slightly different stylus azimuth? What then? Which one do we use? Split the diff?
No. We listen. Listening is the only observation that sums all these and more into one coherent whole. Same for VTA, VTF, and all the other stuff too by the way. Just every once in a while instead of just saying so it is nice to let the folks know I know all this tech stuff too. Before you discard something it is always best to know exactly what it is and why it is okay to discard it.