One of the important advantages of both SACD and DVD-A is that it forces the recording studios and music companies to pay some attention to the sounds below 100 Hz and above 12 Khz, to use better microphones, and generally not process the sound to death.
If you record for example a short guitar piece with a top quality microphone with good digital gear in the right environment and play it back immediately then the quality is way better than anything delivered on CD, SACD, DVD-A or anything else available commercially. We are being completely short-changed in terms of sound quality at the production end, apart from the delivery end.
I suspect this problem will be dealt with by market forces once the record companies are out of the picture and distribution of music in the form of files becomes the norm.
If you record for example a short guitar piece with a top quality microphone with good digital gear in the right environment and play it back immediately then the quality is way better than anything delivered on CD, SACD, DVD-A or anything else available commercially. We are being completely short-changed in terms of sound quality at the production end, apart from the delivery end.
I suspect this problem will be dealt with by market forces once the record companies are out of the picture and distribution of music in the form of files becomes the norm.