Soundsmith Strain Gauge - Thank You!


Someone tipped me off to a Strain Gauge for sale. It was a few weeks ago and I've lost track of who, it should be there in my PMs and emails but nada. So anyway I got it, and it is not here yet but I have you to thank- whoever you are!šŸ˜‚ Sorry but I guess I get a lot more messages than I thought😁 Thanks for letting me know. Appreciate it.
millercarbon
Mijostyn Maybe I can let you hear my strain gauge in NYC. Unfortunately my SG6 stylus is worn and I will soon have to send the cart and preamp back to soundsmith for new styili to be built. I have the SG5 up and running, and while it’s excellent, it’s not the same "master tape" kind of sound I get with the 6 on good vinyl. I don’t find it bright at all, even with my TAD’S beryllium drivers. I'm not sure if soundsmith is still demoing with their own speakers, which are impressive for their small size and cost, but I don't feel really show the SG's real potential and represent the level of speaker
Ā it's likely to be used with.Ā 
Ā Know just what you mean. Herron VTPH2A. Koetsu Black Goldline. SG is really gonna be so much better?? Yeah, I think so. Or else why bother? I got the table, got the arm, nice rack and all, but I never heard me one of them primo top shelf carts. So looking forward to it.

Let me guess.Ā  It's going to be transformative.Ā  The biggest change ever on your system.Ā  The best thing ever invented in the history of mankind.Ā  Everything else is crap.Ā  If you don't have one, you don't know what high end sounds like.

Just like everything else you ever got for/did to your system. ;).
Congratulations and I look forward to your comments about its performance on the Sovereign. Ā I have considered this as a possible next step (or is it another slip further down the rabbit hole) for my OL table. Ā 
Thanks guys. When people reading my posts get triggered, I sometimes wonder if it would make any difference if they knew the research that goes into one of these decisions. Probably not, but I’m gonna tell you anyway.

I only really started looking into Soundsmith and reading about the Strain Gauge after upgrading my Benz Ruby H to Koetsu Black Goldline. I always wanted a Koetsu and so honestly confined my search to which Koetsu.

Experience has taught me to pay scant attention to specs and focus almost entirely on user listening evaluations. When I see a good one it registers, regardless of how often or popular, because so often many of the very best components are small and virtually unknown to the vast majority. But while I don’t put tremendous stock in specs and design I do have a very keen in depth understanding of how all this stuff works. So when I read about something like Strain Gauge it is easy enough for me to understand how the listening impressions bolster and corroborate the technology.

What listening impressions? Over the course of the last couple years I read countless reviews, many of them from Europe, including some really detailed ones comparing some very expensive cartridges and phono stages. The results pretty much always being the SG is right up there with carts in the $10k and up range- which also means up there with phono stages in the $10k and up range. Sometimes two and three times $10k. There are some crazy expensive carts out there, and guys with the jack to have two arms to play them side by side say they are close enough its a judgment call. Butter brickle, or chocolate fudge? Who cares it’s ice cream just give me two scoops!

Oh and yes, I did search and read pretty much every single post with the words strain gauge in it. This is why I don't come around asking people what should I get. They've already answered. I go look for the answers. Much more efficient.

As much as I’m looking forward to this, almost as eager to have a look inside. I’ve been tweaking and modding enough now to have a whole list of things I know will get me even more performance. Then there’s the power supply. Multiple reliable sources saying as good as it is stock there are big gains to be had. Music to my ears.