I also had some extended phone conversations with Pat McGinty back then--about his design philosophy, values, business model, etc. I probably gave the wrong impression with my post. I was sorry to see Meadowlark hang it up. I thought they overall had a good line,They were ahead of the curve with their 1" MDF cabinet construction and resonance control. It's just that the first Kestrel probably crossed over too high, leaving the midrange to beam for a half octave or so.
Johnnyb53
I don't want to hijack the op's thread but this is interesting to me as I have owned three different pairs of the original Kestrels, one pair of hot rods and two of the standard Kestrels. There was quite an age difference between the standard Kestrels I owned and there was also a difference between the crossovers. I know this because the last pair of Kestrels (oldest by serial #) I bought, thanks to UPS, came with both of the crossovers rattling around in the bottom of the cabinets.
Before repairs, I looked at the crossover in the newer pair of Kestrels to see how they should go back together. I was surprised to note there were major differences in the parts and wiring used as well as the layout of the crossover. The newer crossovers were built to a much higher standard. Of the three pairs of Kestrels, I always felt the newer pair had a bit cleaner sound, a bit more resolution maybe.
Also, the Kestrels are very good when getting up and walking around. They keep that three-dimensional thing even when standing right between them. I demoed a pair of Magnepan 12QRs a few years ago and could not stand how much they change when leaving the sweet spot. This comparison was done with the Kestrel hot rods.
I do realize replacing the op's Maggies with Kestrels is a crazy idea. But if "warmth" is what you're looking for, the Kestrels are great.
BTW, although they were good looking speakers, I did not like the Kestrel II at all. Would never recommend them for sound quality. Of course with any internet advice, YMMV.