Correct on all points. I didn’t want to try to explain that stuff, which gets tricky.
In conversation with Richard Vandersteen, he admitted that the electronic crossover, while sonically ideal for the subs, was less than ideal for the mid & upper drivers. I asked if he could mod mine to make it sound better, and he said, "It makes no sense for me to drop everything to mod a crossover, which would cost a lot to do anyway." I liked the direct way the man spoke...
If I still had the 4s, I would get a high-quality aftermarket crossover by Marchand electronics and purchase 6 dB/octave slope frequency boards set at 80 Hz, high pass and low pass. That would be perfect. I have a different Marchand crossover in my desktop system (this model has variable frequency crossovers and uses 24 dB/octave slopes), and I can tell you it's very transparent.
Anyway, that’s the way I think of it now. Back in the ’80s I ran my 4s exactly as you describe and was in love with that sound...all aspects of it were ideal for me.