fjn04 OP
1,468 posts
Mozartfan said: If you run a single FR, any tube amp will work just fine.
Could you tell me what FR means.
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Yeah well read realworldaudio posts above, What he is saying is that xover type speakers are under 90 db sens = lots of compression = the lower db you go the more IN-Efficient = more work on the amplifier = less fidelity = crappy sound.
I’ve completely moved away from xover types.
Even if Scanspeak and Seas did make a 90++ sens drivers and Troels put something together,, still we have the xover point to deal with.
= Double flawed.
Low sens + xover point = unmusical.
The sound is stressed/compressed/attacking/just plain noisey.
FR = Full range,, The DITers want to keep it FR, not *wide banders*
Here is a smaple of the performance of a higher sens FR speaker in action, 95db sens.
If you go SET, the magic can only come forth witha magical speaker.
SET’s require a high fidelity speaker.;
As realworldaudio noted
**A high sens FR/horn that has issues will be cleanly noted in a SET amp set up...** The higher the sens, the more will any weakness be noted in the speakers performance.
Resonances, fq spikes, shouts, muddyiness, bloatedness,, too forward a mid range at sacrifice of bass,,,,lets not forget beaming which some Tang band suffers from.
I did say just about any tube amp will work ok witha FR.
But the end results are not the same.
SET amps are great for low key recordings,, for big band jazz/blues, large band.orchestra, PP wins the Cuban Cigar.
I attempt to explain some of these things in this video.
Horns work great with SETs for that massive soundstage for extra large rooms, For a more intimate listening exp for small/mid size rooms, FR work best
https://www.youtube.com/watch?v=4XTmQHjF0e4