Tekton speaker comparison thread


Hey all the purpose of this thread is for Tekton owners and those who have had/heard Tekton speakers to write their impressions on how they compared to other speakers they have owned (especially more expensive ones). Please refrain from flaming and aggression, just want to create friendly discussion that is focused specifically on comparisons (ideally in the same room and with the same electronics).
In the other tekton threads there is a lot of positive feedback but often I find there is no actual comparison so its hard to know where someone is coming from when they give their impressions.
smodtactical

I will be the dissenter in the group and say I purchased the Tekton Double Impact Be to replace my Focal Sopra No.3 and was disappointed with the outcome.  I think the Be upgrade tweeters Eric used in this design were not a good choice and I see he no longer offers that specific Be tweeter.  I do think it's important that people who are shopping for Magicos or Focal or Wilsons know Tekton just isn't there (yet).  That doesn't mean however Tekton speakers are without merit!  If you are interested in reading the full write up I posted it here: 

 

 

I’m not here to poop on the Teton parade,k? I’ve been buying every speaker I can find on AG that list between $15-$35,000 and one thing I’ve found is there isn’t a perfect speaker. 

@benarritt  I have never heard the Double Impacts but I do have the Moabs with BE tweeters and I had the opportunity to audition the Focal Sopra No 3’s for about an hour at a local dealer. The Focal’s were a very interesting speaker and they had the best bass I have ever heard playing the Hell Hounds of Krim by King Crimson. They also had what I would describe as an exaggeratedly warm and resonant mid-range. It was easy to like, but I’m pretty sure I would tire of it over time. The soundstage was markedly worse than the Moabs. The highs seemed quite recessed to me and listening closely to cymbals or triangles there was a harshness to the highs that I think explained why Focal choose to dial the upper end back. I don’t think it is a surprise that if you like the Focals recessed highs you might feel the DI’s were too much.

Overall, I can understand the preference for the Sopra No 3’s, but I never felt tempted to replace my Moabs with them. On the other hand, I do lust after the Wilson Sasha DAWs, but don’t expect to afford them anytime soon.

And I would note that you are comparing a $4250 speaker with at $24,000 speaker. It isn’t 3x as expensive as you said in your review, it is 5.6x as expensive. People that have heard both claim the Moabs are dramatically better than the Double Impacts. I have no idea if that is true, but it seems plausible to me and Moabs are only 25% the price of the Sopra No 3s.

Anyhow, I have no interest in getting into another one of these endless love/hate debates over Tekton speakers. But I really don’t think the vast majority of people that own DIs or Moabs would think the highs are shrill or hard. A more valid criticism would be that other speakers offer more micro detail and coherence. I have had speakers like that in my system and appreciate those attributes but I always come back to the Moabs for their musicality, soundstage, and density and they are plenty detailed for me.

 

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Hi Benarritt,

You purchased the first pair of all Be DI’s and I recall us going back and forth about the speaker producing a bit too much upper midrange and being a bit too forward. I proposed we adjust the speaker and you chose to ship them back over allowing me to make the minor adjustments to the speaker. Think of it as a sound engineer adjusting a volume pot on a mixing console. I took your critique seriously, made a few new measurements, and ultra-fine-tuned the new design. While sound is entirely subjective I can assure everyone viewing this thread the Double Impact all Be is absolutely magical. We’ve even placed the identical all Be array in the smaller Electron model and it’s magical too. IMO, you cannot do better than going all Be in the midrange like we do with the new Matrix array model.

Eric Alexander - audio designer