Looking For A Dialogue Around Using An Ortofon MC2000 In My Current System


As a bit of history, I used to work in a stereo store part time as a college student. This store was an Ortofon dealer and the owner was a fan of the MC2000, and we typically had one in the store. I was too poor to afford it, but it was always on my want list. Last week I came across an MC2000 on an audio site and bought it. This one is as close to a time capsule as we can get for vintage MC cartridges. While not NOS its in perfect shape with Ortofon outer box, Styrofoam, intter box, all the tools, the graphs, two stylus guards, and even an Ortofon stick pin I presume for you to wear to audio shows to signify you are an MC2000 owner. The stock and irreplaceable cantilever is there and its straight, and rides high. Of course the unknown is diamond wear, and so I am planning to send it out for evaluation and consideration for diamond replacement. 

 

Now the question becomes how to use it. First comes a suitable arm. I have two Dynavector DV505 for a Scheu Das Laufwerk No2 turntable that I can use, and also a Supex SL4 headshell that weighs 5.5 grams or so. I have the stock headshell that comes with the MC2000, but that looks to weigh 10 grams, and this cartridge is highly compliant. I also have a SME V that is spec'd between 10 and 11 grams. I almost consider the SME to be the best match for this application, but then that regulated the number of hours I might use that table as the MC2000 isn't going to be a daily driver cartridge. 

 

Next question is how to get enough gain for it. The owner apparently has the T2000, but is unwilling to part with it at this time. So ideally I would like to find a T2000. I also have an MC3000, and so need the step up for it, and I happen to also have a MC200u. My Esoteric E-03 has 40 db of gain on MM mode, and I have a Graham Slee Accession that is 41.5 dB of gain. The Esoteric is 66 dB in MC mode. So until I locate a T2000 I wondered what options I have. Jensen makes a high output SUT that is 31 dB of gain and seems to be the best choice. I do not see any active pre-pre amps that can do the job. Any thoughts here?

 

As a crazy thought, the Accession has a direct mode that bypasses all RIAA equalization, so its really a pre pre amp then. But placing the Esoteric ahead of it means you are looking at a gain structure of over 80 dB. Probably not a good idea, but I wonder if it could work. Just brainstorming here. Of course the perfect solution is to find a T2000, or even in a pinch a T3000 for the interim till I do locate a T2000. Problem is these SUT have collectors value and they seem to go for silly money these days. But that is what it is, and you have to pay the piper. 

 

So any thoughts on the best way to get this MC2000 integrated into the system?

neonknight

Yes but all the options are out on the table for you. You can’t find a T2000 but you can obtain a suitable substitute that may even be superior to a T2000. You can source either a SUT or an active gain stage from Intact Audio. Apparently a SUT is available off the shelf from Jensen. There are also some very high gain current driven phono stages available. Each option requires $$$.

Dear @neonknight  : Forgeret about JGH or STP rdeviews of the MC 2000. 

 

I know very well this cartridge own/owned 3 new samples and I really like it and as a matter of fact I can remember that was me whom brougth Agon this cartridge ( maybe I'm not, can´t be totally sure. ).

 

Anyway, the best professional review of this cartridge was made it by Pisha through Audio magazine and he used a Technics SP10 MK2 TT and mounted the cartridge in the great Technics EPA 250 and used not only the T-2000 SUT but other SUTs too and in that review Audio made deep measurements on the MC-2000 where they found out that the cartridge has a compliance of 30+cu and even that the combination with the EPA 250 puts the resonance frequency down 5khz the cartridge traked cleanly the Telarc 1812. As I said great tonearm and very good combination with the MC 2000.

 

You not necessarily have to go with the T2000 and my opinion is to go for the Entré 100 SUT that gives you 33db of gain and Entré is very well designed SUT as a fact the same today My Sonic Labs people ( Go figure !.).

 

Here at very good price:

https://www.ebay.com/itm/124903575831?_trkparms=amclksrc%3DITM%26aid%3D1110006%26algo%3DHOMESPLICE.SIM%26ao%3D1%26asc%3D20201210111314%26meid%3D8963e134b0384d8eb9b8c1584f0be005%26pid%3D101195%26rk%3D1%26rkt%3D6%26sd%3D143182655595%26itm%3D124903575831%26pmt%3D1%26noa%3D0%26pg%3D2047675%26algv%3DSimplAMLv9PairwiseWithPLXWeb&_trksid=p2047675.c101195.m1851&amdata=cksum%3A1249035758318963e134b0384d8eb9b8c1584f0be005%7Cenc%3AAQAGAAACAKRQH5sEcWCyQKdCZm8ZpIwf8B%252BxffmKIB4jE%252FmgTZbZZplfzdPvIX%252FY2LeLs5%252B6Aho%252BJ3VegdVVA6m9kof%252FIC2nXCBKjbbQ2BULkWQk0Sk%252BrwfWzH8KIM76yJy%252Bg7btrW7vdBl44Gy1Tdp5%252FE6xjKCcOYVW0blLphasP90Sa04DYAcKCmbtfGcm5lxvjiXyWaKVhSBvtWy2QDbEwawsGmqauadEcR%252BwOuezrfntHN7gtZ9TYATDvnZnqOOl2Ob7yE9ATN3D1TMN79WRoYywwfbx7yhU0v59JN9nUt4Wg%252BpROs2GPRidDZSvsRgTykoY4UFLeeKjOekSz6F8NeJJ8kSk8aWcz3El4HtrWh%252Bfaa17ilpUBgD692Rx5fgGWeIYGupVnpxIP7y3lgOrIZYG1BGZzteoNXmShBBHIo%252FCZoSZN88gto03cYH2803ZtWe5KjuYE1NWcrONgdWKZ8eyGggXTXmnEQ%252FB9nBs9i9egFvLPr6XnHTqEmd9esNurpM9dETbzGwQfVpapz6GM92qGNFP%252FIUC4LqC3HP38%252F4wJIQJ9%252FbLqTa28zF5s4ASdZLdrtj3%252BCHSG4DW95nZy%252FrmBxecpRDUkz3HR5MR39ATY6h%252FBowJrzbJmRmSe3amv8LCl6m1RjETfdesYrVdq3QqQhn4yUbuOWJYv6c5XpNBChEK%7Campid%3APL_CLK%7Cclp%3A2047675

 

Regards and enjoy the MUSIC NOT DISTORTIONS,

R.

 

 

@lewm 

 

Yes it certainly makes sense, and since I own multiple low output Ortofon cartridges, the reality is I am going to need more than one gain device. So if I find one now I can wait for a T2000 to become available, and then move this device over to the MC200u or the MC3000. The interesting thing is the T3000 is able to perform well on the Esoteric phono stage into the MC setting. But that seems to be the lowest output voltage it can take, as the MC200u sounds stilted and hard going into that phono stage, and its output voltage is .09 mV versus the .11 mV of the MC3000.

 

I will call Dave and weigh that option versus the Jensen it seems, as their high output SUT is intended to be used with low output Ortofon cartridges. But in the past I have had a preference for sound from a solid state phono systems versus SUT I have used in the past. But then again, I have not owned one built to the quality level of the T2000. 

But Raul suggestion of an Entec is a good one also, I have seen their units available. Know of their history of being a product designed by Mr. Matsudaira.

Neon, If you are using a SUT into an "MC" phono stage, be very sure that the phono input resistor is 47K ohms, not the more typical 100 ohm range, albeit because the internal resistance of the MC2000 is only 2 ohms, you probably can get away easily with values lower than 47K ohms. The rule of thumb is that the internal R of the cartridge should be about 1/10 of the phono input resistor value, ideally. So for a 2-ohm cartridge, you could actually get away with a net 20-ohm input impedance. Keep in mind that the input impedance seen by the cartridge will be the value of the phono input resistor divided by the square of the turns ratio of the SUT. If the turns ratio needed is 1:30, that would give you a net input impedance of ~52 ohms with a 47K resistor, so you don’t want to go much below 47K.

@rauliruegas +1, 

The Entré ET100 is a great recommendation, but the ET200 is an even better choice as it is dedicated to low impedance MC’s and has no switching. The gain is 30dB, which will be enough in combination with you Esoteric phono amp. Price is in the same ballpark as ET100.

Raul’s experience seems to confirm mine that the MC2000 can be used with a wide range of tonearms. The unusual choice of a heavy aluminium body for such a high compliance system may be responsible for its compatibility with higher mass arms, while at the same time ruling out the use of low mass tonearms designed for lightweight high compliance MM’s. I believe this was a deliberate choice on Ortofon’s part, which could explain why it seems to work quite well with higher mass tonearms. Perhaps it was even intended for such tonearms……