Here are most of the ones posted in Ultimate Audio (Summer 2000 issue):
Normal or "0" polarity: A&M, Acoustic Disc, Atlantic, AudioQuest, Blue Note, Caprice, Chandos, Chesky, Chess, Columbia, Concord, DMP, Elektra, Geffen, GRP, Harmonia Mundi, Hungaraton, Hyperian, JVCXCRD, Klavier, Liberty, Manhattan, MusicMasters, Nonesuch, Novus, Opus 3, Orfeo, Philips, Polydor, Pope Music, Reference, Reprise, Sheffield, Supraphon, Verve, Wilson. ECM also belongs in this list, IMO.
Inverted or "180" polarity: Analogue Productions, ASV, BIS, Capitol, Cypress, Delos, Deutsche Gramophone, Discovery, EMI, Epic, Impulse, L'Oiseau-Lyre, London, MCA, Mercury, Motown, Nimbus, Pangaea, Polar, Private Music, Riverside, Ryko, Shanachie, Sony, Telarc, Teldec, Vanguard, Virgin, Vox, Warner Brothers, WEA. I would presume that English Decca/Argo belong in this list.
There are obviously many omissions. My experience generally agrees with these listings, at least in cases where I've tested and compared. IME, the most dramatic examples are on the DG (Deutsche Gramophone) label and particularly -- for no discernible reason -- with reel-to-reel tapes. Some of these are virtully unlistenable to me played with "0" polarity, yet quite decent in "180" polarity. YMMV, to put it mildly.
Normal or "0" polarity: A&M, Acoustic Disc, Atlantic, AudioQuest, Blue Note, Caprice, Chandos, Chesky, Chess, Columbia, Concord, DMP, Elektra, Geffen, GRP, Harmonia Mundi, Hungaraton, Hyperian, JVCXCRD, Klavier, Liberty, Manhattan, MusicMasters, Nonesuch, Novus, Opus 3, Orfeo, Philips, Polydor, Pope Music, Reference, Reprise, Sheffield, Supraphon, Verve, Wilson. ECM also belongs in this list, IMO.
Inverted or "180" polarity: Analogue Productions, ASV, BIS, Capitol, Cypress, Delos, Deutsche Gramophone, Discovery, EMI, Epic, Impulse, L'Oiseau-Lyre, London, MCA, Mercury, Motown, Nimbus, Pangaea, Polar, Private Music, Riverside, Ryko, Shanachie, Sony, Telarc, Teldec, Vanguard, Virgin, Vox, Warner Brothers, WEA. I would presume that English Decca/Argo belong in this list.
There are obviously many omissions. My experience generally agrees with these listings, at least in cases where I've tested and compared. IME, the most dramatic examples are on the DG (Deutsche Gramophone) label and particularly -- for no discernible reason -- with reel-to-reel tapes. Some of these are virtully unlistenable to me played with "0" polarity, yet quite decent in "180" polarity. YMMV, to put it mildly.