My Long List of Amplifiers and My Personal Review of Each!


So I have been in a long journey looking to find the best amplifiers for my martin logan montis. As you know, the match between an amplifier and speakers has to be a good "marriage" and needs to be blend exquisitely. Right now, I think I might have found the best sounding amplifier for martin logan. I have gone through approximately 34-36 amplifiers in the past 12 months. Some of these are:

Bryston ST, SST, SST2 series
NAD M25
PARASOUND HALO
PARASOUND CLASSIC
KRELL TAS
KRELL KAV 500
KRELL CHORUS
ROTEL RMB 1095
CLASSE CT 5300
CLASSE CA 2200
CLASSE CA 5200
MCINTOSH MC 205
CARY AUDIO CINEMA 7
OUTLAW AUDIO 755
LEXICON RX7
PASS LABS XA 30.8
BUTLER AUDIO 5150
ATI SIGNATURE SERIES 6005

With all that said, the amplifiers I mentioned above are the ones that in my opinion are worth mentioning. To make a long story short, there is NO 5 CHANNEL POWER AMP that sounds as good as a 3ch and 2ch amplifier combination. i have done both experiments and the truth is that YOU DO lose details and more channel separation,etc when you select a 5 channel power amplifier of any manufacturer.
My recollection of what each amp sounded like is as follows:

ATI SIGNATURE SERIES 6005 (great power and amazing soundstage. Very low noise floor, BUT this amplifiers NEEDS TO BE cranked up in order to fully enjoy it. If you like listening at low volume levels or somewhat moderate, you are wasting your time here. This amp won’t sound any different than many other brands out there at this volume. The bass is great, good highs although they are a bit bright for my taste)

NAD M25 (very smooth, powerful, but somewhat thin sounding as far as bass goes)
Bryston sst2(detailed, good soundstage, good power, but can be a little forward with certain speakers which could make them ear fatiguing at loud volumes)

Krell (fast sounding, nice bass attack, nice highs, but some detail does get lost with certain speakers)

rotel (good amp for the money, but too bright in my opinion)

cary audio (good sound overall, very musical, but it didn’t have enough oomph)

parasound halo (good detail, great bass, but it still holds back some background detail that i can hear in others)

lexicon (very laid back and smooth. huge power, but if you like more detail or crisper highs, this amp will disappoint you)

McIntosh mc205 (probably the worst multichannel amp given its price point. it was too thin sounding, had detail but lacked bass.

butler audio (good amplifier. very warm and smooth sweet sounding. i think for the money, this is a better amp than the parasound a51)

pass labs (very VERY musical with excellent bass control. You can listen to this for hours and hours without getting ear fatigue. however, it DOES NOT do well in home theater applications if all you have is a 2 channel set up for movies. The midrange gets somewhat "muddy" or very weak sounding that you find yourself trying to turn it up.

classe audio (best amplifier for multi channel applications. i simply COULDNT FIND a better multi channel amplifier PERIOD. IT has amazing smoothness, amazing power and good bass control although i would say krell has much better bass control)

Update: The reviews above were done in January 2015. Below is my newest update as of October 2016:



PS AUDIO BHK 300 MONOBLOCKS: Amazing amps. Tons of detail and really amazing midrange. the bass is amazing too, but the one thing i will say is that those of you with speakers efficiency of 87db and below you will not have all the "loudness" that you may want from time to time. These amps go into protection mode when using a speaker such as the Salon, but only at very loud levels. Maybe 97db and above. If you don’t listen to extreme crazy levels, these amps will please you in every way.

Plinius Odeon 7 channel amp: This is THE BEST multichannel amp i have ever owned. Far , but FAR SUPERIOR to any other multichannel amp i have owned. In my opinion it destroyed all of the multichannel amps i mentioned above and below. The Odeon is an amp that is in a different tier group and it is in a league of its own. Amazing bass, treble and it made my center channel sound more articulate than ever before. The voices where never scrambled with the action scenes. It just separated everything very nicely.

Theta Dreadnaught D: Good detailed amp. Looks very elegant, has a pleasant sound, but i found it a tad too bright for my taste. I thought it was also somewhat "thin" sounding lacking body to the music. could be that it is because it is class d?

Krell Duo 300: Good amp. Nice and detailed with enough power to handle most speakers out there. I found that it does have a very nice "3d" sound through my electrostatics. Nothing to fault here on this amp.
Mark Levinson 532H: Great 2 channel amp. Lots of detail, amazing midrange which is what Mark Levinson is known for. It sounds very holographic and will please those of you looking for more detail and a better midrange. As far as bass, it is there, but it is not going to give you the slam of a pass labs 350.5 or JC1s for example. It is great for those that appreciate classical music, instrumental, etc, but not those of you who love tons of deep bass.

 It is articulate sounding too
Krell 7200: Plenty of detail and enough power for most people. i found that my rear speakers contained more information after installed this amp. One thing that i hated is that you must use xlr cables with this amp or else you lose most of its sound performance when using RCA’s.

Krell 402e: Great amp. Very powerful and will handle any speaker you wish. Power is incredible and with great detail. That said, i didn’t get all the bass that most reviewers mentioned. I thought it was "ok" in regards to bass. It was there, but it didn’t slam me to my listening chair.

Bryston 4B3: Good amp with a complete sound. I think this amp is more laid back than the SST2 version. I think those of you who found the SST2 version of this amp a little too forward with your speakers will definitely benefit from this amp’s warmth. Bryston has gone towards the "warm" side in my opinion with their new SST3 series. As always, they are built like tanks. I wouldn’t call this amp tube-like, but rather closer to what the classe audio delta 2 series sound like which is on the warm side of things.

Parasound JC1s: Good powerful amps. Amazing low end punch (far superior bass than the 402e). This amp is the amp that i consider complete from top to bottom in regards to sound. Nothing is lacking other than perhaps a nicer chassis. Parasound needs to rework their external appearance when they introduce new amps. This amp would sell much more if it had a revised external appearance because the sound is a great bang for the money. It made my 800 Nautilus scream and slam. Again, amazing low end punch.

Simaudio W7: Good detailed amp. This amp reminds me a lot of the Mark Levinson 532h. Great detail and very articulate. I think this amp will go well with bookshelves that are ported in order to compensate for what it lacks when it comes to the bass. That doesn’t mean it has no bass, but when it is no Parasound JC1 either.
Pass labs 350.5: Wow, where do i begin? maybe my first time around with the xa30.8 wasn’t as special as it was with this monster 350.5. It is just SPECTACULAR sounding with my electrostatics. The bass was THE BEST BASS i have ever heard from ANY amp period. The only amp that comes close would be the jC1s. It made me check my settings to make sure the bass was not boosted and kept making my jaw drop each time i heard it. It totally destroyed the krell 402e in every regard. The krell sounded too "flat" when compared to this amp. This amp had amazing mirange with great detail up top. In my opinion, this amp is the best bang for the money. i loved this amp so much that i ended up buying the amp that follows below.

Pass labs 250.8: What can i say here. This is THE BEST STEREO AMP i have ever heard. This amp destroys all the amps i have listed above today to include the pass labs 350.5. It is a refined 350.5 amp. It has more 3d sound which is something the 350.5 lacked. It has a level of detail that i really have never experienced before and the bass was amazing as well. I really thought it was the most complete power amplifier i have ever heard HANDS DOWN. To me, this is a benchmark of an amplifier. This is the amp that others should be judged by. NOTHING is lacking and right now it is the #1 amplifier that i have ever owned.

My current amps are Mcintosh MC601s: i decided to give these 601s a try and they don’t disappoint. They have great detail, HUGE soundstage, MASSIVE power and great midrange/highs. The bass is great, but it is no pass labs 250.8 or 350.5. As far as looks, these are the best looking amps i have ever owned. No contest there. i gotta be honest with you all, i never bought mcintosh monos before because i wasn’t really "wowed" by the mc452, but it could have been also because at that time i was using a processor as a preamp which i no longer do. Today, i own the Mcintosh C1100 2 chassis tube preamp which sounds unbelievable. All the amps i just described above have been amps that i auditioned with the C1100 as a preamp. The MC601s sound great without a doubt, but i will say that if you are looking for THE BEST sound for the money, these would not be it. However, Mcintosh remains UNMATCHED when it comes to looks and also resale value. Every other amp above depreciates much faster than Mcintosh.

That said, my future purchase (when i can find a steal of a deal) will be the Pass labs 350.8. I am tempted to make a preliminary statement which is that i feel this amp could be THE BEST stereo amp under 30k dollars. Again, i will be able to say more and confirm once i own it. I hope this update can help you all in your buying decisions!


128x128jays_audio_lab

mahgister,

There are many manifestations of clarity, as you say.  Simply put, clarity is the accurate transmittal of anything you evaluate.  If the visual is an impressionist scene, then if the camera picture of it removes the fog and changes it into a collection of sharp edges, that is not clarity--it is just distortion.  Clarity, or high fidelity to the impressionist scene would preserve the exact nature of it, as closely as possible.  

An example of deliberate vagueness was Furtwangler's (F) opening of the Beethoven Ninth Symphony.  Toscanini (T) and others took the score literally, with the soft tremolos, but F wanted the strings to be NOT uniform.  An audio system playing the F recording would not be accurate if it sounded like T, and vice versa.  

So for audio, I prefer the concept of "accuracy" to "clarity."  In other matters of life,  I want conversations to be well thought out and expressed without uncertainty or ambiguity.  This is hard to do, so editors function to help the writer express more clearly what he is trying to say.  There can never be too much clarity in these matters.

Live music is wonderful of course, but most listeners are not in the best seat.  Even the compromised seat is a unique experience, but I have found that the best seat makes a big difference for maximum appreciation of the music.  I hope you listen to those Mercury recordings which were designed to give the most clear perspective that is better than any seat.  A great audio system playing these Mercury recordings is wonderful.

Music is not an equation and i know you now that...

Sound is no more reducible to an equation.... Then clarity or accuracy means something in a context and in a precise perspective, your musical example which is a musical example not an acoustical one is good...

But life is complex, no lived event will be the same at different location on the original scene of the lived event... Because no audio system can reproduce the original event only translate it and recreating it, the trade-off of the recording engineer are choices which impose a perspective on ALL acoustic cues, timbre perception for exanple...

Then all your applications and requirements about clarity and accuracy are legitimate expression BUT they are only that, applications and requirements in a precise context for some perspective...

No audio system and no hall theater , and no recording technique can REDUCE the complex sums of possible perspectives in the perception of timbre microstructure to only one you can call the clearer one on all aspect save the musician himself listening to himself, but even there, the experience will be dependant of some acoustic factors and from a choice of instrument... And each room / system / ears will interpret clarity and accuracy in the context of some acoustical cues or to another one, because timbre perception is so complex that it cannot be defined in SIMPLE terms with one equation, it is also a psycho-acoustic experience and not only an acoustical one...

Then clarity and accuracy, we all wanted that, but what it means? These two concepts and experience CANNOT be an absolute meter for reproduced sound, because we listen to music through sound and we listen sound through music and the two experience coincide perfectly  only for ONE listener...They vary  with each system/room/ears... And the difference between the lived event and the playback is not reducible to zero... In music this is different...music has his own vocabulary and is not reducible to sound...For this reason your musical example is good and made sense musically ...but music is not acoustic and vice versa...

But speaking about recorded sound, translation of sound for a system/room/ears, these 2 concept lost some their power... This is the reason why Jay speaking after the addition of a cable in his system say that they "add too much clarity"...There is no too much clarity in music but we  can have "too much clarity" so to speak in the acoustic experience when listening in some room with some system we introduce a a modification in cable...

By the way clarity and accuracy are not synonymus at all...one concept is mostly subjective, the other mostly  an objective one in acoustic...And even musically they are not synonymus...

And too much "clarity" on some count can represent a lost of clarity on some acoustical perceived cues because sound is not a sum of external clear  elements but an integrated  colored WHOLENESS which is perceived too...

Did i miss something?

I am not a scientist nor a musician but it is my experience...

Let’s shift gears:

I will be releasing my personal tidal playlist this week. Within this playlist, you will find about 73 songs which will provide you with over 5 hours and 40 min worth of music.

This playlist will keep getting updated by me so all you need to do is add it to your favorites. I really hope that dealers and manufacturers also save this playlist so that they can use it next time they are displaying their product at a show.

These songs are handpicked by me and have at least one (if not more ) of the following traits:

  1. Big soundstage with depth and height
  2. Clarity
  3. Deep bass
  4. Intense imaging
  5. Big bold vocals
  6. High resolution

Use this playlist to evaluate your own system too!

Jay,

That’s a fantastic idea! I don’t have your setup. I recently bought Luxman m900u & I’m itching to explore its capabilities. 
 

In order to listen to your playlist, would I need Basic, Hifi or Hifi Plus subscription?