Replicant 100 stylus


My ''general statement'' that styli are produced by either Ogura or Namiki

may need correction.

Some friends of my ''discovered'' that Replicant (Ortofon), Decca and

''Expert stylus'' are the same. As is/was the case with Gyger and

Van den Hul. Van den Hul designed Gyeger I, II and S (?) but

Gyger produced them. This was obviously kept secret for commercial

reasons.

My assertion is that Expert stylus (Paratrace) provide them to the

other mentioned.

Is anybody capable to check this information?

 

128x128nandric

It obviously come down to linguistic; if the mentioned ''super the super''

individuals are called ''retipers'', ''cartridge repair service'' or ''rebuilders''.

Because this thread is about styli which are specific parts among the

other parts by each cart which other parts are not mentioned in this

discussion It is obvious why dover persist on the expression ''rebuild''.

I would think that stylus exchange or cantilever/stylus combo exchange

is called ''retips'' . That is the part  which is glued  in front side of the

so called ''joint pipe'' ( aka ''aluminum tube'')  and at which back side

the coils and tension wire are fastened . Those are the so called ''moving

parts''  which are connected to the generator by tension wire. There is

also damper (aka ''rubber ring'') against which the coil is positioned.

All those parts have their own name and can be identify as such.

However those are not named or referred to by vague expression

''rebuild''. It is the choice of expressions which make statements

more or less clear. Styli and cantilevers are, I would think , pretty

clear. But it seem more easy to point out at less relevant issues

like what brothers Garrott deed or not and qualify  info about THEM

as  ''BS''. In latin: testimonium paupertatis 

Well in order to make ''cost-benefit'' analysis we need to know the

prices. I mentioned ''stylus only'' retip as well ''cantilever + stylus''

price. Alas we deed not discover what ''rebuild'' price is . For dover

this is  ''not our business'' to know. That is to say what his (3x) 

''rebuild'' of his precious Dynavector cost. BTW if his Dynavector

needs each time ''rebuild'' instead changing wear off stylus only

I would not recommend such cartridge (grin). 

In addition to ''my cost '' there is also known the price for the priceless

Denon 103 D; $ 280 . Why should  anyone with my ''budget'' of less

than $3000 spend more on an cartridge? 

In relation to the previous posts produced by myself in this thread.

It is predicted by the owner / user of the Cartridge with the Replicant 100 that the Cart’ will have received approx’ 100 Hrs of usage during the Month of February.

From the Cartridges used in the last comparison there are Two still available to be used offered for use for a Comparative Assessment during another arranged demonstration for the Spring Time.

The Three Cart’s used if all goes to plan be from Models produced by the the same Brand.

The Longest owned Cart’ that to be used is the Standard Model with an FG Stylus remains with only approx’ 200 Hrs usage on it. The second longest owned Cart’ is the same as the above model, but has been rebuilt and has a different Styli and cantilever material, this Cart’ now has more than 300 Hrs usage.

The Cart of real interest to be offered for the demonstration and compared to is the shortest owned Cart of the Three, I have been listening to its performance when at approx’ 20-30 Hours usage, it is yet to have over 100 Hrs usage, I look forward to revisiting it with a extended usage behind it. The Cart’ has the Replicant 100 Styli, the ’specially selected Super Fine Polished version’ according to the sales spiel.

I’m not sure what to expect from this upcoming experience as there are three different cantilever materials and Three Different Brands Styli, even though each Styli will be seen to be from a Brands Top of the Range in the product listing.

Most importantly the meetings and demonstrations are social get together’s, with short periods of time taken out for assessing the performance from a demonstration.

All evaluations are subjective and produced by individuals whose qualification is a willingness to travel to encounter new experiences, as well as a long time maintained use of the Vinyl Medium, and the interest in learning the most valuable method to be used for extracting the information embedded within the LP pressing.

That is the extent of my interest as well, even though I do believe I have learned some very useful lessons from the demonstrations offered.

 

In summary I have compared Styli from similar schools of design philosophy against another Style with a noticeably different form and different design philosophy and was not too influenced along with others that were present at the thought that the Styli in use were contributing significantly to the detected differences in a Cart's performance.

There is another opportunity in the not too distant future to do similar methods of comparisons, but have a Replicant 100, the ’specially selected Super Fine Polished version’ according to the sales spiel, as the Styli with a difference to the other used in the former demonstrations.