Today's Transport War: Significant Differences?


I have been reading much these days about computer/hard-drive based transports as being a whole order of magnitude superior to traditional CD transports. In my reading, the camp who believes hard-drive based transports can render major improvements has been most notably represented by Empirical Audio. The camp which suggests that traditional CD transport techonology (or atleast the best of its sort--VRDS-NEO) is still superior has been most notably represented by APL Hi-Fi.

Each of the camps mentioned above are genuine experts who have probably forgotten more about digital than many of us will ever understand. But my reading of each of their websites and comments they have made on various discussion threads (Audiogon, Audio Circle, and their own websites) suggests that they GENUINELY disagree about whether hard-drive based transportation of a digital signal really represents a categorical improvement in digital transport technology. And I am certain others on this site know a lot about this too.

I am NOT trying to set up a forum for a negative argument or an artificial either/or poll here. I want to understand the significant differences in the positions and better understand some of the technical reasons why there is such a significant difference of opinion on this. I am sincerely wondering what the crux of this difference is...the heart of the matter if you will.

I know experts in many fields and disciplines disagree with one another, and, I am not looking for resolution (well not philosophical resolution anyway) of these issues. I just want to better understand the arguments of whether hard-drive based digital transportation is a significant technical improvement over traditional CD transportation.

Respectfully,
pardales
The Altmann article seems to align with some of Alex's point of view, if I understand the two of them correctly.
Drubin, to me the Altmann article just says that you have to minimize the sample clock jitter at the DAC chip. It doesn't infer that this is better done via a one-box, multi-box, or computer design.
Correct. But his discussion of the role of power supplies in creating jitter goes to Alex's "noiseball" doctrine. Or maybe I just don't understand this stuff well enough.
Drubin - with a computer external converter, the power supply can be just as quiet, whether it is USB or Wi-Fi.

Steve N.
Empirical Audio
We are not talking about the "external converter” and associates Steve, we are talking about the transport or the Noiseball which can not hold a candle against another transport featuring quiet linear power supplies. It's a fact. What good is external battery power supply when your data comes form the Noiseball? And BTW, the so called “super clocks” actually add jitter. But it sounds better right? So here is another puzzle to solve. :-)

Otherwise any DVD player or computer would sound satisfactory. Unfortunately, they don't. As far as I know Olive has a computer based solution (single box with control and HDD inside) with linear PS so that would be my best bet for starters.

But then again, it really depends on the level of audio quality one is after and what is his/her reference. Other than that Noiseball audio is more convenient, I admit. But what is up with evolution and mankind getting lazy? It was CD against Vinyl before now is the Noiseball against CD. It's funny! And why everyone around here forgets the High-Rez digital formats to which a CD is inferior, regardless of how it was processed.

Regards,
Alex