Regardless of the way we choose to play our Redbook, it makes me wonder if those in control of the CD mastering process are truly as critical as we are in our listening. How perfect is the mastering process? For that matter, look around and see how many professional recording devices these days have a USB port - what do you suppose that's for? Connecting to a "Noiseball" I reckon. Tells me that somewhere in the recording process our beloved 1's and 0's are quite possibly passing through a Noiseball. If so, is it possible that some of that noise generated garbage is being passed on to us in the final product? Are we just trying in vain to fix garbage that was already there?
I'm using a Meridian 518 to send my 1 and 0's from my computer to my DAC. My SPDIF converter is a Waveterminal U24 - which happens to be a professional audio device with , you guessed it, a USB port. The Meridian is supposedly a unit that (according to the manual) has been used in the final mastering process by Chesky records and Sony Classical, to name a few. Considering the above, perhaps I am doing no worse with the end product than what is being done in the studios in the first place?