Vinyl Newbie - So Many Questions!


New to these forums and new to vinyl, but longtime audiophile, so I feel comfortable saying that I know what I’m hearing but can’t figure out why. 

It would probably help if I summarize my system to aid in troubleshooting:

Marantz TT 15S1

iFi Zen phono preamp

Naim Uniti Atom as streamer/preamp/dac

Conrad Johnson CAV-45 S2

Klipsch Cornwall IV

I’ll start with the easy one

1.  I followed the setup instructions for the Marantz tt meticulously. Every time I start the motor, the belt squeaks and slips on the motor pulley before getting up to speed. It’s annoying and really cheapens the experience. Is this normal?

 

2.  The sound quality ranges from very bad to very good, largely dependent on the record. I don’t have a large collection as I just started with vinyl, but many of these pressings sound absolutely terrible. Many sound distorted and compressed. Many have tons of clicks and pops. I double checked the settings on my phono preamp which is really just moving magnet. There aren’t a lot of settings. One for MM and three for MC. I connected the phono preamp directly to the Conrad Johnson instead of the analog input on the Naim and while it does sound “better”, it’s mostly the same. 
 

I don’t have another cartridge or phono preamp to swap out and try to isolate the issue. Could it simply be that the phono preamp is defective?  It seems that if the cartridge was defective it would just all sound bad.  Could it be that my system is revealing enough that it’s showing the limitation of the iFI?  I just think it would sound “good” all the time, but never really “great”. Could it be that all of these pressings are so incredibly crappy that I’m hearing just how bad they are?

The couple of “mainstream” records do sound pretty good. Namely Gregory Porter, Adele, Gary Clark Jr, Miles Davis, John Coltrane. But even a couple of those have inconsistently cut holes for the spindle (some of them bind), significant warps, and some off-center labels. The independent stuff is all over the map. A couple of the John Prine pressings sound very good, but have soooo many clicks and pops it’s ridiculous - even after cleaning. And one of them wouldn’t even go on the spindle because the hole was so small. 
 

Anyway, I’m just perplexed and pretty annoyed. I’ve debated buying another turntable (with cartridge) and phono preamp just to see if there’s any change.  Any suggestions?  Is that my best course of action - to just buy another preamp and cartridge to troubleshoot? 

doodledan

First, get the possible bugs out. Then, if you still feel there’s a problem, think about a phono stage upgrade. But I still say you ought to be getting better results with what you have. IF the cause is an excessive capacitance load, the effect might be ameliorated by reducing load resistance. DB Systems make a kit that might help. By placing selected resistors in parallel with the fixed47K load, you can reduce R . I suggest trying 33K, for example, just to see what that does to sibilance, ticks, and pops.

So after reading more about your TT I learned what you have experienced, the motor is isolated from the plinth thru a hole and it sits on the self and that you might move it everytime you turn it on or off ,  I was going to suggest blue tac , I don't think it would hurt the finish but better safe than sorry .

The total capacitance can be tricky , that is why a phono preamps with MM loading selections are being recommended . Mine has values of 0, 50, 100, 150, 220 and 330 and am using 50pf with a Soundsmith cartridge that recommends 100 to 300pf . I remember measuring the capacitance of the phono cable to be 30pf but most don't folks have a capacitance meter .

John Prine !  I have all of his records , many of them first pressing but I'm very impressed with the O'Boy pressing and the new Rhino Start Your Ear of Right releases of his first 3 albums .   Miles Davis " Kind of Blue "  I purchased a new copy and returned it , it was either DOL or WaxTime but the Columbia legacy pressing is fantastic .  Vinyl is a lot of work but rewording in the end .  You are getting a lot of good advice frommembers of this forum .

 

 

lewm, it doesn’t make sense why some records play fine while others create unwanted noise. I agree that resistance might lead to unwanted noise but wouldn‘t that be consistent with all pressings?

doodledan, if your motor is sliding around, try sitting it on some dampening material. That is, if it doesn’t cause a height issue with your belt. Herbies Audio makes some thin but affective dampening sheets which may help.

Additionally, I agree with the previous comment regarding the level of your tonearm. Just for grins, can you raise and lower your tonearm by around 1/16th and play it in those varied positions? With the head shell slightly raised, you ought to get a fuller richer sound. With the counter weight slightly raised, you should get more detail.

The difficulty with this problem is why your noise problems are inconsistent.

I have a Linn with a heavyish platter. I always hand start it by spinning it first. Otherwise you will soon stretch the belt.  With this assist, belt lasts almost forever.