Differences the Project RS2 Transport and the (newest) Jay's Audio CD2 Mk 3


@jaymark and @charles1dad are owners of the Project PS2 Transport and loving it.  I am between the Jay's Audio CD2 Mk3 and the Project.   However, did anyone compare the NEW 2019 Jay's Audio CD2 Mk3 rather than the prior model Mk2?  Steve Guttenberg reviewed them both and found significant improvement in the Mk3 version sonically.   How close are they now as the Jay's is $2500 and the Project with LTA power is closer to $4,000 (with taxes)?   

 

fleschler

Hello Charles1Dad

Thank you so much for your welcomed and warm wishes regarding my home.  You're one of the most sincere and thoughtful gentlemen on Audiogon and very insightful.  Your posts are very well written with a philosophical nature. I always look to read what Charles1Dad has to say. I am sure your words of wisdom and knowledge has touched many over the years  on Audiogon myself included. 

Yes, it was a close decision on which transport would serve my needs and the Jay's audio cd2 mkIII was my choice.  Seemingly there's not a bad choice regarding either product.  I am also happy to hear of your excitement during the break-in period with the Project audio rs2 and LPS. I hope and wish you many years of pure enjoyment with your Project audio rs2 also. 

All the Best

Chuckie 

@chuckie

I really appreciate your very kind comments. I just do not believe that you can go wrong with either of these CD transports. It was teajay (Terry London) who brought the Pro-Ject  RS2T to my attention via his thread on this forum. Otherwise the latest P.S.Audio  CD transport or Jay’s Audio CDT MK III would have been my choice.

Charles

Hellllloooo fellow audiophiles.

I too have purchased a Jays audio mark 3 transport and are waiting for delivery fron DHL. I cannot comment on its sound yet but there seems to be a disbelief in the fact that transports make a audible difference from one brand to another. We need to remember that one of the most important parts of a transport is the quality of the clock. Digital audio reproduction is a complicated series of events to reproduce the audio waveform and because of that complexity leaves its conversion processes hard to pinpoint which is the best method to implement. I will update this thread on my impressions of the new transport after I spent some time with it. I am not a believer in first impressions because when you get something new and shiny you tend to acoustically fool yourself into a inaccurate evaluation.