Any bad experience with wilson audio sasha w/p?

There are many solid state amps that sound great with Sashas. I do not agree that they have to be super expensive - Cary SA-200.2, which costs $4000, sounds absolutely amazing with Sashas.

The key is to get an amp that sounds smooth. It doesn't have to be a tube amp, although tube amps in general sound smoother than SS ones. The Sashas tweeter is so revealing, that it will let you instantly know about any problems upstream. Get everything right (which includes the front end) and there are a few speakers, irrespective of price, that will sound better.

Reading through this thread really brought back memories for me. Comments about how Wilson's, in this case the Sasha, require careful placement/tube amps/just the right cables/room treatment, etc., in order to sound good. These are identical to what owners have been saying about WP's for years.

With my WP's if everything was just so, including the recording, they were absolutely fantastic. But, ultimately I decided that they emphasized flaws to the detriment of my musical enjoyment.

Wilson owners have to have the resources to correct any and all anomalies in their room and equipement in order to get the best results. David Wilson was a recording engineer and his entry into home audio came as a result of developing studio monitors (the WATT) that laid everything bare. many at the time felt that he had come upon a new level of transparency that would let at least certain types of recorded music sound "live". consider however the deadness of a studio environment in playing back tapes. now consider the room you're going to put a pair of watt/puppies into...
I have a Wilson Audiophile CD i particularly like of organ music. my whole system seems to snap into focus and come to attention when listening to this recording, and "my speakers" even start to resemble the "Wilson Sound".
Like i said, David Wilson, engineer. the effect is just uncanny.

Ergady : "With my WP's if everything was just so, including the recording, they were absolutely fantastic. But, ultimately I decided that they emphasized flaws to the detriment of my musical enjoyment."
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Used to own WP7s, recalled how they were sounding exceptionally good when driven by Jadis pre/power/DAC+Siltech cabling. IME, they do need the typically full, lush sounding gears in front to make sing, which helps tame their inherently rather prominent upper-mid/high.

*This was what Wilson has been working to improve upon I believe. And to a certain extent, was quite successful with the Sasha, ie.trading a little of utmost presence for musicality. I've heard, this is now pushed even further in Alexia and XLF with their new silk dome tweeters.

I've owned Mirage M1s, Devore Fidelity, Audio Physics, Artemis EOS, Sophia 2s & 3s and now Sashas. What I love and hate about Sashas is every component change can be easily heard and sometimes the change is dramatic. I like to learn in this hobby and my recent experience with CD players reminds me that the source has a significant impact on the sound of speakers. I auditioned a CD player that made my "system" super bright, diffused, and made me not want to listen. The CD player I like so far is a 10 year old Metronome CDV2 Signature and my system sounds very smooth. I'm replacing a Apollo-R. I submit that when you get to the level of Sashas, every component impacts the sound; therefore synergy becomes more important than the speakers.