@mulveling As an owner of the Sterlings I appreciate your information regarding the internal wiring. Seems like it would not be to difficult to remove the drivers to make repairs if necessary. I wonder if the drivers are available and at what cost. May have to look into this.
Tannoy anyone? Cheviot Legacy vs. Stirling GR
Good Morning and happy holidays,
Having just spent a day over at my friend's new listening shack/man cave with my Leben driving his Tannoy Stirlings, I fell in love and am thinking I might just need a pair myself. So, I could use a little help deciding between the Stirling GR's and Cheviot Legacy's and am curious if any of you have experience with both and what you hear/feel is the difference between the two.
If it helps, I listen to a pretty wide variety - mostly singer songwriter, alt country, some classic rock and jazz. A little hiphop, no metal and very little classical.
Thanks in advance for your insights.
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I have a couple of Tannoy Kensington and Canterbury, IMHO there isn’t much of opening/breakin. The day I received the Canterbury, I connected them to an amp and a streamer in a room I never use, left them for 5 weeks 24x7 the sound had changed but not as much as others experience. Same with the Kensington |
Well, I'm told by the dealer in Montreal 250hr and by Upscale 300hr with some significant change at 100. Upscale is working with me to look into it. I'm dubious about taking them apart myself. The Montreal dealer wants a 25% restocking fee. As @mulveling says, I'm not a camper at this point, but the story's not over yet. That kind of break-in has not been my experience with new Devore Super Nines or Dynaudio1.8mkII back in the day - they started out very good and wound up great. And, these Tannoy don't sound anything like my friend's - I bought these on my listening to his Stirlings with my Leben CS600 and wires. So, the only difference being our sources. His Linn/Adikt/EAR 834P vs my modded TT and same modded pre - Thorens/SME/Soundsmith/EAR. My digital source has always sounded great too....Music Vault Diamond/AMR DP777SE all guccied up with nice tubes, etc. My suspicion at this point is that these are a faulty pair somehow and hope that it's not indicative of the overall line. If they don't fall into place somehow, I guess I'll have to eat the 25%.... |
My pair was made 8/20 according to the signed booklet that came with it as part of of the groovy prestige package. Nice touch for sure...corny, but I like it! And, according to what info I can gather, were made in Scotland Part of the story goes that Tannoy made all the pairs of Prestige, Heritage and Definition lines they could in Coatbridge before those Scotland doors were shut. That's what there is for sale now. In the future, those three lines will be made in Poland at the same factory where the cabinets have been made for several years once the factory there is up and running. The other Tannoy lines are and will continue to be made in China. I'm told by someone I trust that they can arrive "tight as a drum" and start to loosen up at 100 hours with full break in around 300. That's a lot of hours on my getting rarer preamp tubes in the old Leben CS600, but in for a penny, in for a pound. Patience is often more of a virgin than a virtue around here, but I'll put in the time and report back. Fingers crossed once more unto the breach. |
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