Is Old Music Killing New Music?


I ran across this Atlantic magazine article on another music forum. It asks the question if old music is killing new music. I didn't realize that older music represents 70% of the music market according to this article. I know I use Qobuz and Tidal to find new music and new artists for my collection, but I don't know how common that actually is for most people. I think that a lot of people that listen to services like Spotify and Apple Music probably don't keep track of what the algorithms are queuing up in their playlists. Perhaps it's all becoming elevator music. 

Is Old Music Killing New Music? - The Atlantic

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@jssmith 

It's very formulaic. Songs are now written by committee, so they're dumbed down to a common denominator.

I am quoting just a snip of your excellent comment. This is I think is the most accurate analysis of what "popular" new music has now become. Record companies have always been in pursuit of commoditizing music into a simple consumable product. Everyone sounds and looks the same. Just like vanilla ice cream.  

Top 40 music may be controlled and commercialized but I wouldn’t say that about the music out of the mainstream.

I’m speaking about rock music now but I’m not sure if the artists like Jim James, Conor Oberst, and Les Claypool would go for their music being dumbed down.

@femoore12, I tend to agree.

Parents and schools just don’t push their kids into the arts (music, theater, art, etc.) like they used to do decades ago.

Though this brings back a very vivid fond memory. During the summer of 2016 I attended a High School Musical performance in Carriere Mississippi and was just flabbergasted by these young performers. I’m talking one right after thee other. But check this out ... finishing act, just two tracks laid down by a 5 piece band in tribute of Prince and his passing earlier in the year. My mood shifted from flabbergasted to gobsmacked instantly, for they totally nailed it and were firing on all cylinders. What we would call, PRAT ;-)

I always have hope ....

Those tracks ... Let’s Go Crazy and Purple Rain

I listen to jazz and classical mostly but otherwise have been part of the music biz for over five decades as a musician (not jazz, I'm not that smart) and (more recent decades) a live sound mixer. The music biz has never been a good idea for a career (I was lucky for many years), and neither have any of the other arts. Period. Touring always sucked for all but the very few, record companies pretty much consistently ripped everyone off in any way possible, and for 99.9% of musicians...well...get a gig in the local bar scene? What's that? Be a solo artist and practice your ass off and get VERY good, and do the "coffee house" thing. Play French Horn in Les Miz. Otherwise it's DJ or zip. Get good but don't expect financial success and you might not go insane.

There's lots of great new stuff from all over the world for the tiny minority of jazz freaks like me, and streaming has turned me on to some amazing music I likely never would have stumbled on otherwise. Modern Pop music...mostly just don't care about it with a couple of exceptions...but really...meh...

 

@dabel That is a great experience. The talent is absolutely out there. I love that they did a tribute to Prince. Phenomenal musician.  

 

@wolf_garcia life as a musician is a tough gig.  My brother used to tour the country as an Opera singer. He loved it, but it was a rough life being on the road almost all year.