Is Old Music Killing New Music?


I ran across this Atlantic magazine article on another music forum. It asks the question if old music is killing new music. I didn't realize that older music represents 70% of the music market according to this article. I know I use Qobuz and Tidal to find new music and new artists for my collection, but I don't know how common that actually is for most people. I think that a lot of people that listen to services like Spotify and Apple Music probably don't keep track of what the algorithms are queuing up in their playlists. Perhaps it's all becoming elevator music. 

Is Old Music Killing New Music? - The Atlantic

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@jssmith I doubt I’m a Sigma with my low creativity and average I.Q. However, I’m self-taught on computer since the mid-80s DOS, have a JD as well as having taken science courses at UCLA along with my history and political science BAs. Became a top commercial real estate appraiser for 28 years after 5 year stint as a residential property manager (hands on repairs too)/contractor for tract homes and apartments. Funny thing is that I’m mostly self-taught since school and prefer independent pursuits rather than group activities (other than choir for 51 years). I'm probably an anomaly compared to most people who are stuck in a rut both in life and work.
I can’t do anything artistic but appreciate and know art history. I can’t compose and play piano slowly yet I am quite knowledgeable on music history (especially opera and ethnic musicology). I don’t know how to create computer programs but am able to learn how to use them with minimal instruction. My learning ability accelerates with age, possibly due to earlier knowledge compounding with new subject matter.

As to bitcoin, I don’t like it. As to blockchain, yes, I can see myself using it just as I learned to switch from a slide rule to a calculator to a computer.

I will always want to listen to music on records and CDs. Streaming just doesn’t have much of the music I want or will probably never have (ethnic, out of print on esoteric music on formats of LP, 78, RR and CD). Note that streaming music is rarely accompanied with extensive recording, composer and artist notes whereas my Marston, Romophone, Biddulph, etc. CDs have sizable booklets of notes.

@dabel  Without PRAT, there is no music.  Could be a tone or a note, but with PRAT, one has music.   

I was only playing around. My comment is likely do to that of which I hear coming from the garage, my son and his other band members. C’mon guys, y’all have a gig around the corner… pace and timing please lol.

@jssmith 

I don't know of or have heard of anyone middle age or older in my local sphere, at work, at the gym, or really anywhere except the Web who listens to new artists.

Very interesting. I had not thought of this before you made this comment. I find myself agreeing with your observation with the people I know in my age group. No one I know (except my wife) actually listens to anything outside of what they listened to in high school. Even when I suggest new music to my friends/coworkers they look at me like I am crazy and keep listening to the same 12 albums.

I constantly search for new artists/music and my wife will add them to her playlists much to the surprise of her students. I have always been told I have eclectic taste and maybe that is why I am now listening to groups like Morcheeba, Darkside, Monophonics, Ikebe Shakedown, and others. 

I wonder if this also affects how we select the equipment in our systems? Something else to consider.