I will say though, that with a good symphony recording, if I close my eyes at home, I can convince myself what I hear is similar to what I would hear at The Meyerhoff Symphony Hall in Baltimore or Carnegie Hall (in NY), maybe a third to two-thirds of the way back in most cases, depending. Those are the two quality venues of that scale that I am most familiar with. Achieving that was one of my goals and that makes me very happy and content! If I sit close enough with the Ohm wide-dispersion pseudo omnis, maybe front row if the recording permits.
Also worth mentioning that the guy who designs the Ohm Walsh speakers that I fancy, John Strohbeen, is also a classical musician who frequents Carnegie Hall and says he uses what he hears there to "voice" his speakers. Done very well I would say! Ohms are the poor man’s mbls. They were designed to work well fairly close to walls in most any room most people might actually have though YMMSV.