Just curious, but when people say they have a $25,000.00 system or a $50,000.00 system is that a total of MSRP of equipment they own or is it what they paid for their equipment? I bought much of my system used at around 1/2 MSRP.
I used to worry about this on "price point roll calls", but over time I find I’ve passed most lines any way you slice it, and the next line up is impossible for me to attain :)
The reality is it doesn’t matter that much. Measure the cost anyway you like, within reason. Some things are more "solid" values than others. Amps like McIntosh hold value well against MSRP over time - and their vintage tube amps have actually appreciated greatly in value. On the other hand you have greatly "fluffed" MSRP listings from the likes of some small cable makers (I remember "Black Mountain Cable" did that here, years ago) and some other direct sales internet companies - nobody is gonna be impressed by a $50K system comprised of that crap.
Anyways, onto another topic - I do take issue with the growing continent of folks who treat the room like it’s some magic box that is simultaneously capable of:
- Making expensive gear sound like crap if you don’t meticulously treat the room with lots of treatments. A lot of this seems to be aimed at pushing acoustic panel sales...
- Making cheap gear sound like true high end if you DO meticulously treat the room (I really don’t agree with this point).
I don’t fall in the "room is a magic box" camp. I think of the room like another major component of a system, but not as an all-powerful arbiter to the resultant sound quality. Look, if you throw $500K of high-end gear in a spare bedroom, it’s gonna sound bad. We all get that. It’s not an interesting use case to keep hashing out. And I’m not disagreeing that some investment into room treatment is a great value. But at this level of gear and discussion, the assumption should be that someone spending big $ is going to put it into a room of adequate dimensions to let it breathe, and spend time positioning things optimally. One you have that, the actual gear composition of a system will typically shine right through - whether good or bad!
I have a local friend with a room that’s currently untreated (but he’s planning to change that soon). We’ve swapped amps, preamps, cartridges back & forth over the past year. EVERY component has shown its own consistent sonic signature between these 2 very different rooms, CLEAR AS DAY. And both rooms are capable of sounding superb. But when you put disagreeable components together - bad sound is the result. The room is absolutely a factor, but it’s not magical.