Elbe2
I have seen your posts about M.F. gear a lot. You always commented bad on M.F. even you had never had one. If you knew a bit about this business, you shouldn't have said ''sounded thin and bright to my ears'' upssss. what a sharp ear you have...under show conditions your razor sharp ears found out kw dm25's trick. answer these questions please: 1)since when Sonus Faber range sound bright and thin?
2) Technically justify that front end of a system determines the final output quality?
3) how come amplifiers, cables, speakers, power treatment pruducts, room acoustics, size.......plays secondary role in a setup?
4) Are we paid by Musical Fidelity? in other words we make our living with promoting kw dm25? (we are: M.T. , Michael Fremer, Ken Kessler,the guys just positively recommended above, John Atkinson who gave ''A'' put kwdm25 in recommended comp.
5) how do you name your school of view of Hi-End components? because you just brought 2.dimension to Hi-End.
Too much freedom sometimes kill the cat.
I have seen your posts about M.F. gear a lot. You always commented bad on M.F. even you had never had one. If you knew a bit about this business, you shouldn't have said ''sounded thin and bright to my ears'' upssss. what a sharp ear you have...under show conditions your razor sharp ears found out kw dm25's trick. answer these questions please: 1)since when Sonus Faber range sound bright and thin?
2) Technically justify that front end of a system determines the final output quality?
3) how come amplifiers, cables, speakers, power treatment pruducts, room acoustics, size.......plays secondary role in a setup?
4) Are we paid by Musical Fidelity? in other words we make our living with promoting kw dm25? (we are: M.T. , Michael Fremer, Ken Kessler,the guys just positively recommended above, John Atkinson who gave ''A'' put kwdm25 in recommended comp.
5) how do you name your school of view of Hi-End components? because you just brought 2.dimension to Hi-End.
Too much freedom sometimes kill the cat.