Andy @ Vintage Tube Services is a great guy and helped me decide on the best 6SN7 for my monoblocks. Question-I have not had microphonic tubes in 50 years of audio gear. For the past 20+ years, my pre-amp and phono stage uses subminatures which have a reported life of 100,000 hours, really thick (bomb use) glass and great sound. Can using various dampening rings such as Herbie's reduce or eliminate most microphonics? Or is the microphonic the result of internal parts vibrations?
What made you change to a 6SN7 preamp?
If you made an intentional shift toward a 6SN7-based tube preamp, what sonic characteristics motivated your move?
I have been doing some comparisons and think I have some reasons I like the 6SN7 better, but there are so many factors which could be at play, that I'm not sure what is responsible.
Rather than list my details for others to analyze, I'd rather hear your answer to the basic question.
Tell me about your path toward a 6SN7 preamp?
What did you change from and why?
Even if, overall, the change was worth it, did you lose anything in the transition? What?
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- 65 posts total
- 65 posts total