TEAC UD-701 vs NT-505 vs ?

I can only chime in, one year listening to the NT-505, streaming Qobuz. Have not heard the newer models. What is clear, is that the 505 needs break-in time. It does not outperform my vinyl rig, but now sounds very good. This is into a tube system - Einstein The tube mk2 preamp, and Atma-sphere Ma-1 amps. It seems a supportive environment for the 505. The best digital recordings - also standard cd format - now sound clearly better than I'v heard before.  

Can report back now. Sort of.

First, want to thank all for a thoughtful, informative, and helpful thread.

There were a couple points that where the thread could have turned to mudslinging and I want to thank both parties for turning away from that and staying civil.

Qualification regarding report is the left channel of the UD-701-N was dead, so I could only do one channel listening with it.

I have not heard of any similar or other manufacturing problems with this model or other TEAC products so I don't take this as a ding against the 701. (See my comments later about its excellent build.)

I also have no beef with Safe & Sound from whom I bought this unit. No suspicion that they sold me dud. In fact, they have been excellent about handling the issue and have promised full refund and paid for shipping back. I am happy to do business with them again.

First will report on listening tests at home. My system is described in my profile. Set-up for tests is described below.

Could not perform direct comparison of 701 to other units (new TEAC NT-505, old Vault 2) because my Audioquest Victoria RCA IC runs as a unitary cable with split into right and light connectors only near its two ends. Therefore, could not connect 701 to RCA IC because the L and R analog outputs on its back are far apart (as a consequence of its dual mono design). Hence, while 505 and Vault were connected to my Parasound JC2 pre-amp via RCA; 701 was connected via AQ Yukon XLR IC, which IMHO are inferior to Victoria and AQ Earth. I also did some listening with NT-505 connected directly to my Parasound A21 amp via Earth XLR IC. I used stock power cables with both the TEAC units. Connection to Internet in all cases was via Wireworld Starlight 8 cable to Ethernet port.

Home Listening Tests...

NT-505 had several advantages over Vault.

More detail. For example, on opening of Bruca Manigua by Buena Vista Social Club featuring Ibrahim Ferrer, the backup horns sound more like individual horns playing together on the 505 than Vault. Same for back-up singers later on in track.

In addition, the layering of instruments and soundstage depth was better on the 505 than Vault.

Portrayal of Ferrer’s voice was somewhat diffuse and I would say veiled or uncontrolled (?) with Vault. With 505, portrayal was more veridical to my ears; it was more precise and intense.

Bass was both more articulate and powerful with 505 than Vault. This was apparent with heavy bass lines on Chic’s Le Freak (Oliver Heldon mix) and Beyonce’s Partition. Also with acoustic bass on Le Herida Oscura from Susana Baca’s new album Palabras Urgentes.

These advantages IMHO were more pronounced on tracks in lower resolutions formats (non-HR vs HR on Quboz). Case in point is Viento del Olvido from Baca’s Travesias. I can’t speak to the technical details but believe that NT-505 has more options for rendering these "low" resolution recordings in high fidelity than Vault.

All that said the listening test made me appreciate how well the Vault renders music and explained why I was very happy with my system as is. Sound is engaging and evokes emotion. The edges of notes of communicated appealingly, For example, edges of guitar notes and other plucked instruments are sharp, appealing and natural (e.g., any track from Samba in Seattle by Bola Sete or Baaba Maal’s Yoolelle - Maman from Missing You.)

I discuss some of the shortcomings of the NT-505 in my next post where I compare it to the UD-701.