Another “How to choose an arm” question

https://sotaturntables.com/services/updates-upgrades/

 

and the Eclipse upgrade that mijostyn posted.

mijostyn for what you posted you have very low knowledge level on the SAEC tonearm quality performance. Of course that if the 317 colorations is what the op  likes then is up to him.

R.

@mijostyn , got it but the Reed could work for the second tonearm that needs an external arm pod.

 

R.

@rauliruegas , That is true, it is surface mounts and could be mounted on anything you can get to the right distance. Why on gods green earth would you ever consider an external arm pod? The tonearm and the platter have to be rigidly mounted on the same very stiff non resonant structure.                                              Where am I wrong about the SEAC? Is it lighter than I think it is? It looks like a boat anchor. But, I do not know the exact spec so in reality you are right. HOWEVER, the arms I mentioned are a lot lighter and more flexible. (notice, I said nothing about sound) I know you like the SME V so don't screw this up. 

 

Another long-term Sapphire owner here, and I'm not sure why @rauliruegas is universally down on uni-pivot tonearms.  My Graham Phantom is certainly an ideal match for my rig and has been bullet-proof reliable as well as easily repeatable for VTA on-the-fly adjustments.  The 9" Supreme version I selected was a drop-in retrofit with a new Sota composite arm board.  Set-up was a snap, too.

I also took advantage of Sota's Series V suspension and bearing/platter upgrade at the same time and couldn't be happier with the overall package.  It's everything I expected in my upgrade from my old Magnepan Unitrac and more versatile by a wide margin.

Hope this helps you in your search and happy listening!

Here is a good site which you can input many variables to see if a particular arm and cart will be acceptable together:

http://www.mh-audio.nl/Calculators/RF.html

 

That site also links to a database, but the SAEC WE317 is not listed. I says in the details that it is a high mass arm.  

My view is from a relative ’newby’ getting back into vinyl over the last few years. I’m sure others will have views with more years being active in vinyl. I had put my rig away over 25 years ago before getting back into it recently.

Just get a good quality arm regardless. Don’t skimp here if looking for something new.

Thanks @bkeske I am trying to figure out whether my are is good quality to begin with. I think it is, or it is good enough. But I have no way of knowing… and don/t really know the effective mass.

 

I also took advantage of Sota's Series V suspension and bearing/platter upgrade at the same time and couldn't be happier with the overall package.  It's everything I expected in my upgrade from my old Magnepan Unitrac and more versatile by a wide margin.

Thanks @effischer I’ll ask Christian about the V suspension.

 

 

@mijostyn I didn;t know you had a Sota.

@holmz , You are getting some really great advice here. As a long term Sota user I would like to add some thoughts. There are several great arms out there that fit the Sota perfectly. As Lew suggests it is always better to stay on the light side as you can always add mass but taking it away can be tough. Your Sota suspension is tuned for a specific tonearm mass. Depending on the age of your table it can be done by adding/subtracting lead shot from a well or using a specifically weighted tonearm board. Once you buy the arm you want to use, weight the arm itself with all the parts attached. Do not weight the cable. Then call Donna at Sota with your Sota's serial number and the tonearm weight. She will supply you with the correct arm board.

Donna Christian mentioned 2#15’ as the total tonearm, head shell, cartridge and board weight.

Tonearms that I know work beautifully on the Sapphire and are of top notch design are the Kuzma 4 Point 9, the Origin Live arms,

I would prefer to avoid the Origin Live based upon my good friend;s experience… (Difficult to set up, wired wrong, and customer service)

the Rega arms, the Audiomods arm , SME arms and the Schroder CB. There are very few cartridges out there that can not be made to work in any of these arms. IMHO the three best arms are the SME V, the Kuzma 4 Point9 and the Schroder CB.

My friend ended up with the Kuzma 4.9

These three hit all design points I want to see in an arm. There are others out there like the Tri Planar which are great arms but will not fit the Sapphire without modifying the plinth.

I would be wiling to modify the plinth to take a TriPlanner - If (and only If) it offered me some substantially better sound than the SAEC WE317. Maybe that is solely in terms of resonance? 

Would upgrading the arm be worthwhile? I think so, particularly if you go with one of the three arms I mentioned. You will certainly be able to use more cartridges in the medium compliance range. Your SEAC arm is going to work best with something like a Koetsu, cartridges in the lowest compliance group. 

I am not adverse to running a low compliance cartridge. The Garrott Bros p77i is working well.

I have had my eye on the Hana ML and some of the SoundSmith ones.

So if the SAEC arm is good, but only with a low compliance cartridge, then I think it is more cost effective to hunt for the cartridge that fits the arm’s effective mass??

 

One more point is that you can upgrade your Sota to the Eclipse drive system, the magnetic bearing,  and even a vacuum system. Very few tables can take you that far

Christian and I (and Donna) have been in discussion for 1/2 year and the units are coming up to production soonish. 

I borrowed the good doctor’s stethoscope yesterday to listen to whether the bearings were making sound… It was absolutely “dead” sounding.

 

@rauliruegas I am guess that the reed would be the 9.5” with the 223mm mounting radius?